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Magic (魔法, Mahō) is a paranormal power that alters mana passing through a being's gate into a form that has an effect on reality.
Information
Overview
Magic is a supernatural force of the world in which its users, whether they be warriors, mages, or spiritual arts users, weave mana from within themselves or from the atmosphere in order to create or manipulate natural phenomena. Mages and spiritual arts users use mana to create spells of varying elements or utility. The capabilities of those who can cast magic are limited only by the capacity of the mana that they can use, their talent, and their imagination. As such, with an immense amount of mana and a great imagination, one's potential utilization of magic could potentially extend to infinity, and for such users, anything could become possible.[1] Though it is a misunderstood fact that had gone unwritten in books, just as spiritual arts, curse arts, and the activation of certain meteors require mana, the use of mana in the body is capable of allowing people strengthen themselves, increasing their physical capabilities, and to reproduce special techniques as well.[2]
For a mage to cast a spell, they need to have a mental image of the effects and the construction of the technique; if either of these steps were missing, the magic would not be cast. The more complex the effort, the longer it would take to conceive a mental image of its effect.[3] Regardless, an ordinary person is considered to be well off if they are compatible with any of the four main elements of magic.
The ordinary method by which a person casts magic is by chanting an incantation with an image of what they want to accomplish in their heads, and for most mages, they extend their arms from which to aim and fire their spells. However, according to Sphinx, it is a common misconception that just the hands and tools can be used to assist the invocation of magic;[4] it can also come from other places, such as the eye, which Sphinx herself has displayed.[5] The foremost mage in the present day, Roswaal L. Mathers, has even displayed using his magic from all four limbs and even his tongue. Though unusual, it is even possible for experienced users to combine magic spells with martial arts, using magic at various points and from various locations of the body, which can be used to great effect for those who are physically capable.[6] It is also true that an incantation is not entirely necessary either, though it is typically only experienced users of magic who are shown to be capable of doing so.
In the past, magic was the specialty of demi-humans and spirits and seldom used by humans.[7] However, with time, this began to change. During the era of the Great Calamity, the world's foremost marvel with magic of the time, the Witch of Greed, Echidna was responsible for creating numerous spells, including forbidden spells, and she was shown to be willing to teach others. Even before her presence was felt, there was also the first magician, Myonmyon, who is the only known sorcerer capable of performing spells equal to or greater than Echidna's,[8][9] and likewise, she was also one who taught others how to use magic.[10] Because of this, magic has become a relatively commonplace ability in the present day among both humans and demi-humans.
Types
Ordinary Magic
Magic is made up of six elements: Fire (火, Hi), Water (水, Mizu), Wind (風, Kaze), Earth (土, Tsuchi), Yin (陰, In), and Yang (陽, Yō). It is further classified into four categories: Fire covers temperature, which allows it to create flames and even ice;[11] Water covers the interference of life force and healing, allowing it to save lives;[12] Wind functions outside of the bodies of living things, interfering with the atmosphere and allowing one to secure habitable areas in inhospitable regions;[13] Earth functions inside of the bodies of living things, and because this attribute also borrows the power of the earth beneath the user, it allows its users to fertilize and even starve out the lands.[14][15] Some incantations for each affinity are Goa (ゴーア, Gōa) for fire, Shiha (シーハ, Shīha) for water, Fura (フーラ, Fūra) for wind, and Dona (ドーナ, Dōna) for earth. While most mages are capable of using one element, it is not uncommon for people to be able to use multiple elements.
Meanwhile, Yin and Yang magic, which are both considered rare for one to have as an affinity, are unique in that they govern less tangible and more abstract concepts relating to dark and light; Yin magic's capabilities even extend to the manipulation of time and space, the separation of the senses and the self, and even gravity, greatly expanding their repertoire and variety for both attack and support. Although Yin and Yang magic are capable of hampering and enhancing the body respectively, because of the misconception that that is all they can do and the unclear envisioning of the respective attributes, the development of Yin and Yang magic are lacking.[16][17] Not only are the two attributes considered rare, but the yin and yang attributes have a conflicting relationship; if a mage advances in one attribute, the acquisition of the other will also be affected.[18] Because of this and their difficulty to study, the exploration and study into both Yin and Yang magic are neglected. In particular, Yang magic is by far the least utilized type of magic from among the six, and despite being capable of enhancing the performance of those affected by it, it is considered out of place and useless.[19] The main problem associated with being enhanced is that those affected are incapable of controlling their enhanced bodies, and they feel as though they are controlling someone else’s body, something which often leads to the complete defeat of the enhanced when faced with an enemy.[20][21] Furthermore, the use of Yang magic is heavily susceptible to the caster’s mental state, mana usage, and various other factors.[22] As such, even if one could master using an enhanced body via Yang magic, since the enhancements themselves tend to be entirely inconsistent, those affected will instead be incapable of demonstrating their usual capabilities.[23] That is why Yang magic is considered a cursed practice, and it is seldomly used barring self-enhancement.[24] However, on the contrary, if used appropriately, using Yang magic can boost a person to help resist damage, and can allow certain people, such as Otto Suwen, to use their own respective powers to a greater extent with a lesser drawback. Likewise, even ignoring the enhancement aspect of Yang magic, it is capable of being used for attacks, being particularly effective as a means to both pierce and sever matter. Incantations for Yin and Yang magic include Shamak (シャマク, Shamaku) for Yin and Jiwald (ジワルド, Jiwarudo) for Yang.
The conjuring of ice, when compared to the regular elements, is rather precarious, since generating ice is something that falls under both Fire and Water Magic. In the case of Fire Magic, it is created by using mana to lower the temperature of already existing moisture in the air in order to create icicles. Ice made this way remains and has less freedom of manipulation, but it requires less mana and can be used frequently. In the case of Water Magic, however, ice is made by using mana to create new water in the form of ice rather than using moisture in the air.[25] This is more costly, but it grants the user more freedom in shaping the ice and its placement on the battlefield. Unlike ice created through Fire Magic, ice made through Water Magic will not remain frozen after its use has expired. Likewise, if one has no need of this ice, they can merely disperse the mana forming the ice to make it vanish, granting more possible options in order to trip up opponents.[26] This being said, ice made by Fire Magic can still break down into mana when its purpose has been served. Practitioners of both Fire and Water Magic are also capable of combining their respective elements to increase the size and scale of their respective spells. The Huma (ヒューマ, Hyūma) spell, which is the incantation responsible for the conjuration of ice, is shared between the fire and water affinities, and both can be used to freeze and weaponize blood or the environment around them.
The strength of spells starts from the original incantation and increases by adding El (エル, Eru), Ul (ウル, Uru), or Al (アル, Aru). For example, fire magic starts with Goa, then goes to El Goa, Ul Goa, and finally, Al Goa.[27] Typically, the weakest version of the spells, those without a prefix, have simple effects, whether that is creating a simple fireball, a single stone projectile, or covering a small area around the user in darkness. However, as the spell advances in strength, the larger and more complex the spell becomes. For more simple and physical spells, the increase in strength is rather visible and simple to understand; for Huma, each prefix is represented by more ice spikes that become significantly larger than its weaker counterparts. For more conceptual spells, however, the increase in strength become significantly more complex; for Shamak, which covers the concept of separation from the world, each prefixed spell separates more and more off the target from the world: first the senses of their surroundings, then the senses of their own body, while the strongest Shamak spell, Al Shamak, literally removes a target from the world by opening a rift to an alternate plane of space. It should be noted that although incantations are generally used to cast spells, if the user is experienced enough, they can cast them without saying anything.[28]
Healing Magic
One of the unique aspects of Water Magic is its connection to life. While Water Magic can easily be used for combat, whether for binding, attacks, or in creating ice, its greatest application comes in its ability to be applied in healing the body. Healing Magic (治癒魔法, Chiyu Mahō) is a form of magic that is trained by nearly all Water Magic users, and in the Kingdom of Lugunica, it is specifically trained in the Royal Treatment Center alongside other methods used by doctors, like surgeries. Water Magic can be used to stimulate a person's natural healing capabilities in order to close wounds and speed up one's recovery. Not only is it capable of healing injuries, but it is capable of curing targets of various ailments. The greatest aspect to this magic is that it is capable of working in moments, greatly reducing the likelihood of someone dying of these injuries or ailments.
An extension of this is the ability to manipulate bodily functions. In the hands of experienced Water Magic users, they are capable of using their magic to interfere with their targets' sense of pain, effectively functioning as an anesthetic. Ultimately, this is meant for medical purposes, but it can also allow someone to keep fighting while ignoring their injuries. However, if the injuries themselves were not completely healed, then this action is merely a stopgap. Further experience will allow someone to completely destroy the circulatory system of their Gate, effectively paralyzing the target as well. Though often gone unused, this is something that is more meant for the purpose of offense.
The proficiency of Healing Magic is wholly determined by the skill, talent, and raw power of the mage. Whereas ordinary mages are capable of handling most ordinary wounds, particularly skilled or prodigious wielders of Healing Magic are capable of connecting severed limbs back onto the body or even restoring entire chunks of missing flesh, blood, and bone from where it was lost. Ferris, for example, who is lauded as the Blue in the Kingdom, is perhaps the greatest user of Healing Magic the world over, in part owing to his Divine Protection of Water, which enhances his aptitude for healing magic.[29] Ferris displays every such ability listed prior, and he can do all of this with an insurmountable speed without leaving scars behind; he is so exceptional with healing magic that, in his desperation to heal his master, he had elevated the field of healing magic in the Kingdom of Lugunica by three whole levels.[30]
This being said, there also seems to be another factor for people to be able to use Healing Magic. Roswaal, who is considered one of if not the most accomplished mages in the world who has mastered nearly every form of magic, is entirely incapable of using Healing Magic, even though he shares the same blood as the previous Blue, Garitch Fabless. Because of this, Roswaal speculates that his inability to heal likely stems from his personality and his distrust of others, which in turn prevents him from being able to heal other people.
While Healing Magic is particularly powerful, there are things that it has no effect on. It cannot rejuvenate a body whose soul has already left it. It does not cure mental afflictions. Curses, such as the Dragon's Blood Curse on Crusch Karsten and Natsuki Subaru, cannot be healed or removed by Healing Magic. It cannot reverse transformations of the body either; those afflicted with such a transformation by the Sin Archbishop of Lust are technically not injured, meaning that there is nothing to heal in the first place, and the only means of removing such a transformation is likely the Authority of Lust. Healing Magic also does not work on injuries caused by the Divine Protection of the Death God, as said Divine Protection prevents Healing Magic from working. There is one known physical affliction that is not confirmed to be afflicted by an Authority, Divine Protection, or curse that Healing Magic does not work on: the disease that plagued the Lugunican Royal Family. It also does not seem to be capable of restoring blood to one's body.
Advanced Techniques
Some mages, if they are talented enough, are able to combine multiple elements at once. Roswaal L. Mathers and Ezzo Cadner, best mages in the Kingdom of Lugunica, have been shown to do this, with Roswaal in particular having made various spells that require the use of several elements at once, such as Flight Magic, which requires Earth, Wind, and Yang Magics, or a multi-elemental barrier, which requires all six elements at once. Likewise, experienced masters of magic, such as Sphinx, can combine the different unique aspects of different elements to work with each other, such as using the reflectiveness of ice to bounce light attacks off of it. If one is knowledgeable of earthen sciences like physics, the user is capable of triggering chain reactions between elements. Aldebaran utilized this in order to create a steam bomb from a combination of ice, fire, and concentrated light, as well as creating lightning with wind, earth, fire, and water. Some magic users are also capable of repetitive, alternating chanting, something which is claimed to be akin to threading a needle with one's eyes closed and hands tied, or putting the self-same thread through countless lumen simultaneously.[31] Though not technically impossible, it would take an impossible level of skill for someone to use magic on somebody that they could not see.[32]
Experienced mages possess the ability to disguise their spells by using a different incantation. This functions as a faux-incantation that alters the actual magic invoked.[33] For certain people, like Rachins Hoffman, they can even disguise spells by thinning or expanding their spells or calling out a false incantation. In the case for Fire Magic, for example, he could expand an ordinary Goa to give off the impression that he was casting Al Goa. Conversely, by thinning out an Al Goa to appear like a meager flame no bigger than a candle's, smaller than Goa, it is possible to create a trap for an enemy by tricking them into snuffing out the flame. It is also possible to rewrite the composition of any spell someone casts. However, doing so requires that the caster makes physical contact with the spell itself, either in the middle of casting or by touching the spell of another mage. This can allow the user to disassemble a spell into mana, absorbing it through their own gate, and even circumvent the effects of Reinhard van Astrea's Excess Mana Circulation Constitution.
Finally, there are some casters that are capable of casting multiple spells at the same time as well. However, unlike combining elements, the utilization of more than one spell is significantly more difficult. Being able to cast multiple spells has been compared to being akin to using multiple brains at once. While Ezzo is capable of performing this, casting two spells simultaneously, Roswaal has been shown to be able to use up to six spells all at the same time, something that could be considered encroaching upon the realm of gods. As of the present, Ezzo and Roswaal are the only people in the current world who are capable of casting any form of multi-fold magic.
Mediums
There are various spells that can either be assisted or require mediums in order to cast. One such example is a Magic Circle (魔法陣, Mahō-jin). Technically, they are not necessary to perform, and spells can be cast without them. However, they can expand the scope of spells depending on the location and the size of the magic circles used. They can even be used on the body. Of course, in the present, they are seldom used. Likewise, other objects, like large crystals or glintstones, can also be used as mediums to cast or amplify spells. This is especially the case in terms of large and particularly difficult or powerful spells, such as weather manipulation magic. Such crystals are also used in the creation of Magicreation Tools (魔造具, Mazō-gu), serving almost like batteries. Should someone have a Gate, whether or not someone is capable of using magic, they are capable of using these tools.
Other such mediums are meteors (ミーティア, mītia), once made by the Witch of Greed, Echidna. Although they serve similar roles to magicreation tools in that they are objects that can be used by nearly anybody, they provide much different effects, and some meteors have a direct link to one's magic. A meteor used by Leip Barielle, for example, amplified the use of his Fire Magic, whereas the Star Staff allows its wielder to fire a blast of the light of Shario at their opponent, likewise draining the user of a large amount of their mana, to the point that some people have to take a drug in order to actually use it.
It is also possible to use a person's body as a catalyst to cast certain spells. In particular, the barrier of the Sanctuary was connected not just to a large crystal, but also to the bodies of Ryuzu Meyer, whose body was within the crystal, and Echidna.
Of course, difficult spells, large spells, and barriers are not the only kinds of spells that can use mediums. Even regular elemental spells can be cast with a piece of the environment as a medium. For example, Aldebaran, who often makes use of earth magic, can use pre-existing earth, pebbles, and even scales instead of creating them from nothing and mold them into various shapes. Doing so reduces the mana cost that he needs in order to cast his spells, effectively giving him more options than would ordinarily be available to him.[34]
Forbidden Arts and Lost Magic
There are also some magics that are referred to as forbidden arts (禁術, kinjutsu), a classification shared between magic and curse arts. Many forbidden of which are lost to time or known to an extremely limited few, while some of which have been erased by Od Lagna simply because nobody could use them. Echidna is known to have made such spells before. However, as of yet, very few forbidden spells have been shown in the story thus far. Several of these forbidden arts have wide spanning and very dangerous effects overall, such as Al Shario which can slaughter many Dragons in a moment, or Ol Shamak which is specifically made for combat against Witch Factor wielders. According to the author at a talk show on March 30, 2024, he stated that the majority of the remaining practitioners of forbidden arts typically learn them via their lineage, certain items that were passed down or protected, such as the book that details the Sacrament of the Immortal King that was passed through the Argyle family, or if they happen to be geniuses.
Likewise, there are also certain types of magics that are mostly lost to the world. While there may be documents which describe such spells that once existed in the past, in the present, very few, if any, practitioners of these spells are left. One such example of lost magic is a forbidden art known as dream arts (夢法, yume-hō), which even the Witch of Greed had not completely mastered. The uniqueness of this magic is the ability to trap targets within dreams of their own making and creating worlds such as the Castle of Dreams in which specified souls can inhabit. A dream arts user (夢幻術師, mugen-jutsushi) is even able to create phantoms of themselves if their proficiency reaches a certain level. Aside from the Witch herself, there is only one known practitioner in the present day.
Spiritual Arts
Generally, there are two types of primary casters in the world: mages and spiritual arts users (精霊術師, seirei-jutsushi), which are largely differentiated by how they use mana to cast spells. The former draw on their internal mana through their gates while the latter uses the mana in the atmosphere with the aid of spirits to process spells directly.[35] Spirits can also act as pseudo gates for their contractors if they are lacking the means to use magic on their own.
An advantage that spiritual arts users have over ordinary mages is that they are able to handle using multiple elements easier. A spiritual arts user can cast multiple elements of magic simultaneously and even combine them together, making use of spells such as Nect, which combines Yin and Yang, and Ul Gora, which combines Wind and Fire, as well as being able to combine them all to create even more unique spells. While ordinary mages are capable of this, they must bear a great burden on their body, as they are using their own mana to cast these spells; spiritual arts users do not need to bear this burden, as they can have different spirits focus on their own individual elements while the user merely assists or directs them. An example of this is the Spirit Knight Julius Juukulius and Roswaal's usage of a barrier spell made of all six elements: whereas Julius gives no issue in being able to create this spell with the assistance of his six spirits, Roswaal, despite being one of the most accomplished mages in the world, believed that the burden that comes with attempting to do so on one's own was not an endeavor that he should take often.
The main disadvantage to using spiritual arts (精霊術, Seirei-jutsu) over magic is that anyone who wishes to become a spiritual arts user must be able to make contracts with spirits in the first place, which may not be possible of someone cannot even speak with or find a spirit. Even when one does make a contract with a spirit, depending on the contract, they may not be able to bring them out whenever they want to, and furthermore, they need to have glintstones to use as anchors (依り代, Yorishiro) for their spirits, which makes contracting them significantly harder.
There are other unique cases. Todd Fang, for example, forced spirits into obedience, making him capable of temporarily accessing their magic. In the case of Spirit Eating (精霊喰らい, Seirei Kurai), however, after devouring spirits, the spirit eaters obtain the power of the spirits. In the case that someone successfully manages to devour a piece or even the entirety of a Great Spirit and survive, like in the case of Arakiya and Muspel, the range of their abilities expand, such as becoming the various elements of magic at will.
At present, most spiritual arts users reside within the Holy Kingdom of Gusteko, where a large number of spirits reside. Likewise, it is not uncommon for the country's Temple Knights to be given such spirits as their Blessings (祝福, Shukufuku). Besides them, the only known spiritual arts users outside of Gusteko's borders are Julius Juukulius, Emilia, and Natsuki Subaru.
Flow Method
Gaston using the Flow Method against Lye Batenkaitos.
Though not considered magic in the same sense that mages cast spells, physical fighters are capable of using mana to boost their own physical capabilities, such as speed, toughness, and strength, as well as to create and utilize special techniques.[1] The Flow Method (流法, Nagare-hō), as it is called, is mostly utilized by warriors rather than by mages, and it is ordinarily trained for a long period of time before it can be used in proper combat. Once active, a person's body can become tough enough to withstand strikes from blades and shatter them, they can perform acrobatics that typically do not match their bodies' sizes, they can leap great bounds with ease, and they can dash over a long distance in seconds. Further improvement of the Flow Method gives a person access to unique techniques, such as Neiji Lockhart's Palm of the Fist King. In times of emergency, Gates that ordinarily go unused will open, resulting in a person entering the same state as those able to execute the Flow Method. It is possible that those with superior abilities were even capable of teaching themselves how to use it through such an experience as well.[36]
Ordinarily, being able to use the Flow Method is considered to be the pinnacle of martial arts. There are some people, however, who are born with an innate mastery of the Flow Method, though they are seldom seen.[37] Reinhard van Astrea and Cecilus Segmunt, for example, have been able to use the Flow Method since an early age, and they did not need to train to be able to use it.
The Flow Method is much different compared to boosts provided by Yang Magic, as the latter is heavily susceptible to numerous factors that can make its efficacy vary, and the inconsistency of the boosts provided by Yang Magic compared to the Flow Method makes the latter significantly more reliable.
The Body in Relation to Magic
Organs and Conditions
In order for a person to cast magic, they must use the mana that passes through their Gate (ゲート, Gēto). The Gate is a type of invisible pseudo-organ that acts as a portal for mana to pass through and be stored in the Od. Whether or not a person can use magic is entirely dependent on whether this Gate is fully or partly open, with the latter making the use of magic impossible. How much mana each Gate can handle varies from person to person. In the case of Subaru, the amount of mana he could pass through his Gate was considered less than average, whereas there are other people like Roswaal or Emilia who can pass an immense amount of mana through their Gates, with Emilia's own Gate likely being the one that can handle the most amount of mana of anyone introduced in the story. Of course, if one is not used to casting magic or exerting their mana, this can still quickly lead to brief physical and mental fatigue, regardless of their Gate's size. According to Beatrice, a Gate is an organ that is not present in someone originally, and it is acquired by someone later.[38]
It is possible to damage the Gate via the overuse of magic. In this case, it requires a professional healer to attempt to mend this, though the one with the damaged Gate must not use magic for a period of time after this happens, else they completely destroy their Gate, leaving them not only incapable of casting magic on their own, but also making them unable to exert mana from their body at all. This is referred to as having a defective Gate. In the case that this happens or someone has not exerted their mana from their body due to the lack of magical knowledge, this could lead to Mana Poisoning (マナ酔い, Mana Yoi). In this case, the body will continue to take in mana without any way of removing it from the body, leading to the eventual breakdown of the Od, and consequently, death. However, it is possible to circumvent this by making contracts with spirits, allowing them to act as a medium that can remove the excess mana from their bodies.
No matter what the being is, whether it is a human, demi-human, or beings made of mana such as Dragons or spirits, mana (マナ, mana) is required to use magic. Mana is a type of colorless, supernatural energy that exists in the world as part of nature, and all living things naturally have mana in their body. When mana is exerted by a person, no matter how slight, their emotions are contained within it. Those sensitive to mana, such as members of the Oni Tribe with their horns exposed, are capable of sensing emotion and intent through their mana, allowing them to respond and act appropriately towards another person. It is for this reason that spirits are said to vaguely sense the thoughts of other people.[39] Each person has a unique magic signature (魔紋, ma mon), which is akin to a fingerprint. In the event that two beings share the same magic signature, they would have a link that allows them to borrow the mana of the other. This has been utilized by Aldebaran, who transcribed his ego into a second vessel, allowing the other body with his ego within to tap into the same magic signature as him.
Mana can be found everywhere in nature and can be naturally absorbed into the body. However, there is a type of contaminated mana known as Miasma (瘴気, Shōki), typically exerted by beings with the powers of Witches, that is not safe to take into the body. While it will not take immediate effects depending on the amount taken in, if one absorbs too much miasma into their body, it will heavily affect the minds of everyone affected, including animals,[40] making them paranoid and murderous. In the worst cases, overexposure can drive people into madness, resulting in them causing harm to themselves and eventually killing themselves, which can take as long as thirty seconds. Not only is this true for humans and demi-humans, but this is even true for artificial spirits and even earth dragons. Enough miasma can even lead to the contamination of food, and plant life can also die when exposed. This is one of the primary reasons, excluding witchbeasts, that the Augria Sand Dunes are considered so dangerous.
It is possible to cast magic through the Od (オド, Odo), life energy synonymous with the soul. However, doing so can be dangerous, as casting mana this way can easily shave off one's lifespan; while they won't die after running out of Od, they will no longer be themselves either.
Some people are born with conditions related to the absorption of mana. For people like Anastasia Hoshin, they are unable to absorb mana from the atmosphere, effectively cutting magic out of their lives. Should they wish to use magic, it will be taken from their Od, essentially risking their lives. According to Beatrice, this is likely due to a problem that comes with the body's later acquisition of a Gate.[38] The opposite is also true. For people like Reinhard van Astrea, they are unable to release the mana stored that is absorbed in their body at all; it should be noted that Reinhard is unique in the way his body handles his Excess Mana Circulation Constitution (マナ過剰循環体質, Mana Kajō Junkan Taishitsu).
There are some beings that go through a Magic Release Period (発魔期, Hatsumaki), in which beings who have a condition where they take in more mana than they let out spill mana out of their bodies as it overflows from their Od. This can cause mana poisoning in beings like this, and in certain cases, it can even cause changes in the environment. When one of the Four Great Spirits, Puck, went through his Magic Release Period, the entire area around Roswaal Manor and Arlam Village saw great snowfall for a certain period, despite it not being the season for it.
It is also possible for someone in extreme emotional turmoil to lose control of their magic. Though it is uncommon, there has been one known large-scale occurrence in which a powerful user of magic, Emilia, lost control of her power after witnessing a loved one die before her eyes. In that state, while embroiled in both intense rage and sadness, her power overflowed to such a degree that the entirety of Elior Forest, as well as its inhabitants, was completely frozen in ice, and furthermore, Emilia, lacking control of her own magic, unintentionally froze herself, and the effects of this incident have lasted for over a century. It is presently unknown whether other such occurrences have happened.
Species Specific Conditions
Rem's horn protruding from her head.
In the case of the Oni Tribe, they are born with curved horns, organs that are capable of rapidly drawing mana from the atmosphere, greatly enhancing an oni’s physical strength and magic capabilities. Their horns also make them more sensitive to changes in the mana of those around them as well, allowing them to determine the intent of both their enemies and allies. However, while this tends to be to the advantage of an oni, it comes with the risk of the oni becoming more aggressive and losing themselves. Likewise, onis who have lost their horn, who are derisively referred to as hornless, must have someone else who can provide them with mana, and they must do this regularly.
Uniquely, unlike most beings, including other spirits, Artificial Spirits have greater difficulties when it comes to both their magical prowess and their ability to absorb mana. In the case of some, they have great power, a high mana consumption rate, and an inability to absorb mana from the atmosphere, and they must get by by taking mana from other people, their contractor, special glintstones, or stealing it from the environment. In other cases, they have low mana consumption rates, the inability to form contracts, and difficulties in casting magic. Over-exhaustion of mana can lead to said Artificial Spirit fading away for good.
In the case of the Insect Cage Tribe (虫籠族, Mushiko-zoku), in order to obtain the powers that they wield, must synchronize their Od with the Od of insects that bear magical properties at a young age. In doing so, while they obtain various magic-like abilities suited for combat, their physical form changes dramatically, making them appear as if they were insect-type demi-humans; they can have a hard outer shell, wings, compound eyes, etc. Synchronizing with and taking in too many insects at once can very easily be dangerous, and it is very possible for anyone who has taken in such an insect to be unable to synchronize with it and die, something the tribe takes advantage of if they need to kill their enemy as quickly as possible. Though, in one case, because Kafma Irulux was able to sync with the Od of more than 30 insects, he obtained a special new organ which allowed him to fire a magic-like blast that could erase his opponent.
Foods and Drugs
There are certain foods in the world that are capable of stimulating a person's Gate. A Bokko Fruit (ボッコの実 Bokko no Mi), for example, can do this when eaten, making it the primary ingredient in a drug that can make a person's Gate overflow with mana called Hexcel (へクセル Hekuseru). Since the drug causes severely negative effects to manifest with the users, such as excess bleeding and organ damage, it is illegal to produce. That said, underground organizations, such as the one led by Reiner Wahrheit, still produce and circulate the drug.
There are also certain drugs that can be combined with magic in order to affect people over a wide area. Ram's illusionism, for example, requires the use of a hallucinatory drug that she combines with her wind magic. By doing this, she was able to trap the majority of people in a long convoy in an illusion that prevented them from moving their bodies, with only exceptional talents like Julius with his spirits or Subaru who figured out the trick could escape.
Magic-Related Resources and Materials
There are various resources throughout world that are connected to magic and mana. Many of these resources are collected to make use of, either for their unique effects, to use in various magic-related items, or to use as mediums. In particular, a commonly seen material is Lagmite (ラグマイト, Ragumaito), also commonly referred to as magic stones, which is capable of holding mana.[41] Without impurities and naturally created over a long period of time, these stones are often connected to specific elements and are used in everyday life: fire for heating food and baths, earth for structure reinforcement, yin and yang for powering meteors, etc. They are usually volatile and need to be handled with care, but just about anyone with a Gate is able to use them, regardless of if they can use magic. In particular, fire magic stones are commonly used by people as explosives. If they are shaken enough, then eventually they will heat up and explode. They can also be triggered by using simple heating, like an underdeveloped Jiwald. Otto Suwen has shown to use them like mines, whereas Olbart Dunkelkenn has such stones compressed into small balls, essentially becoming miniature bombs. Meanwhile, a glintstone (輝石, Kiseki), a rarer, small, and colorless type of lagmite, is ordinarily used as an anchor for Spiritual Arts users to house their respective spirits. There are even certain glintstones that contain enough power within them to allow Great Spirits like Puck or even the souls of the dead like those of the Witches of Sin to use as anchors, and they can also be used to power spells without the user having to expend much of their own mana, though this is at the cost of said stone shattering. The Glow People (光人, Mitsuhito), in fact, have glintstones in their heads, and it is rumored that they absorb the souls of people that they kill. There also exist time crystals which glow and change colors at different times of the day. They are often seen in the homes of nobles, such as in the hallways of Roswaal Manor, or more commonly, they are seen in Time Towers (刻限塔 Kokugen-tō), from which the public can see and roughly tell the time.
Night Banisher.
Lagmite Ores (ラグマイト鉱石, Ragumaito Kōseki) are also commonly used stones that are capable of producing light without fire. Alongside specially made crystal lamps (結晶灯 Kesshō-tō), which absorb mana during the day to provide light at night, they can be used to provide light at nighttime where they would otherwise be incapable of seeing their surroundings. Lagmite ores are also used in a special ammunition called a Night Banisher (夜払い Yoru Harai) which is usually used by the military in order to brighten the night sky as if it were daytime, making a practical "second Sun", and even carries the side effect of creating illusions. By shattering it, one can create such illusions, and if they are good at using magic or have taken Hexcel, the user can influence the illusion of their own will.
Certain crystals also exist that can have negative effects. Anti-Mana Crystals (退魔水晶 Taima Suishō), for example, can neutralize or dampen mana by returning the energy into a colorless state, resulting in mana becoming dormant an invisible. These crystals make it so that any form of magical effects associated with mana are reduced or even removed, and they are effective enough that they can even thin the fog produced by the White Whale. There are also Evil Sealing Stones (封魔石, Fū Maseki) which, while the exact effects are still unexplained, can prevent those sealed by them from interacting with the outside world, even affecting Authorities. They are typically indistinguishable from ordinary stones, meaning one needs a certain eye to tell them apart.[42] Magical Miasma Stones (魔瘴石, Mashō Ishi), dark black stones that exude miasma, also exist.[43] Being near them can cause people and animals to go mad if they remain near them for extended periods of time, and it is assumed to be lethal if swallowed.[44] There is even a theory that if an animal were to take in a magical miasma stone, they might become a witchbeast.[45]
Aside from them, there are also magic crystals, the purest form of magic stones,[46] which can be created by preparing a large amount of colorless mana and condensing it and are said to be rare.[47][48] As such, gathering and killing spirits can be done to artificially create magic crystals.[49][50] If one follows this method, it is possible to obtain such a large number of magic crystals that structures such as the Vollachia Empire's Crystal Palace can be crafted.[51] Said palace is also home to a Magic Crystal Cannon (魔晶砲, Ma Akira-hō), which can fire a powerful concentration of mana that has been amplified by both the magic crystals attached to the cannon as well as the magic crystals that make up the Crystal Palace itself. These crystals can also be used to provide a person with a large stock of mana, which Sphinx used during the Great Disaster to power a large number of her spells.[52] This being said, when a large amount of magic crystals are gathered together, the tremendous amount of condensed mana is tantamount to an enormous bomb, requiring a magic core to govern it;[53] by overloading that core, the ensuing explosion has the potential to completely wipe out an area at least the size of the Imperial Capital of Vollachia.[54]
The Study of Magic
While accessible in most of the world, the study of magic is a practice mostly seen within the Dragon Kingdom of Lugunica, the country that most excels in magic out of the Four Great Nations. Approximately 40 years before the present day, as a result of the Demi-Human War, in which magic, particularly forbidden magic, became a heavy crutch against the Kingdom, Roswaal J. Mathers repurposed an old Prison Tower and turned it into what is now known as the Royal Magic Research Institute, where magic is studied in earnest. As a result of these studies, the power and effectiveness of the country's mages was greatly increased.
Roswaal's son, Roswaal K. Mathers, also provided his own assistance in the study of magic, which resulted in the creation of magicreation tools, and the production of these tools was left to the city of Costuul, which later became known as the Industrial City as a result. Lightbugs (光虫, Hikarimushi) also appeared a short time after the creation of these tools which appear to both utilize magic and interact with magicreation tools. His mother, meanwhile, even studied how to create a Pseudo-Gate (疑似的なゲート, Gijitekina Gēto) as a means to overcome the problems caused by defective or inferior Gates, a study inspired her own inferior Gate, though due to her death, her research was put on hold. While her grandson, Roswaal L. Mathers, has not made as many known efforts to further the study of magic, he has revived his predecessor's research into Pseudo-Gates with the help of the magic dolls created by his father. Ezzo Cadner has also written a number of magic theories and attempted to construct techniques that will ease the difficulty of learning magic, and he has learned how to restructure and repurpose magical theorems created by Roswaal J. Mathers.
As magical studies has progressed, numerous theorems and techniques have been discovered. The Two Attribute Intersection Theorem (二属性交差式, Ni Zokusei Kōsa-shiki) is a theorem that dictates a way to use two separate attributes simultaneously, and likewise, the Multi-Attribute Intersection Theorem (多属性交差式, Ta Zokusei Kōsa-shiki) dictates a way to use more than two attributes simultaneously. Meanwhile, Equilibrium Circulation (均衡環流, Kinkō Kanryū) view the mana flowing through one's body as a torus. After Ezzo managed to get ahold of Roswaal J. Mathers's research, he came up with a derivative method called Synthesis Circulation (統合環流, Tōgō Kanryū), which allows for greater efficiency of mana in the invocation of spells. Other such theorems and techniques include the Tripedal Centroid Control (三脚重心制御, Sankyaku Jūshin Seigyo) and the Fivefold Resonance Point (五重共鳴点, Gojū Kyōmeiten).
Users
Spells
The spells listed here are the spells which carry the basic chants. Any derivative or individual uses of unnamed elemental magic, such as using wind to make things float, will not be described here. Instead, such descriptions will be listed above, on character specific pages, or in the unique spells category. Healing Magic will be the exception.
Goa (ゴーア, Gōa): The most basic of fire spells that generates a ball of fire that incinerates its target.[55] The spell can be expanded in size, but its level of power remains minimal. Its known users are Roswaal L. Mathers, Echidna, Omega, Rachins Hoffman, Leip Barielle, and Sphinx. Its first known usage was in Volume 12.
- El Goa (エル・ゴーア, Eru Gōa): The next level of Goa which, though the specifics are unknown, allows the user to rain fire on their targets. Its known users are Sphinx, Roswaal L. Mathers, and Rachins Hoffman. Its first known usage was in Volume 38.
- Ul Goa (ウル・ゴーア, Uru Gōa): The third level of Goa in which the caster fires many bullets of flame that incinerate foes over a large area.[56] The flames generated by this spell are so hot that water will immediately evaporate, it can instantly prevent freezing, and a soaked person will dry in an instant.[57] Its known users are Roswaal L. Mathers, Ezzo Cadner, Sphinx, and Rachins Hoffman. Its first known usage was in Volume 3.
- Al Goa (アル・ゴーア, Aru Gōa): The final and most powerful level of Goa. The user creates a massive ball of flame capable of incinerating everything in its path into nothing. The greater the skill of the user, the larger the size and hotter the spell.[58] However, the spell can also be thinned to the point that it is smaller than a candle flame while retaining its immense firepower. Its known users are Roswaal L. Mathers, Sphinx, Aldebaran, and Rachins Hoffman. Its first known usage was in Volume 4.
El Shiha (エル・シーハ, Eru Shīha): The second level of the water spell, Shiha. The user is able to generate water in order to bind the target in place while dealing minimal or no damage to the surroundings.[59] Its only known user is Ezzo Cadner. Its first known usage was in Volume 39.
Healing Magic (治癒魔法, Chiyu Mahō): The most common application of water magic. The user uses this magic in order to heal all physical wounds on the body. However, it does not revive a person, nor does it have any effect on one’s mind. For more specific details, see Healing Magic under the Information section above. Most water mages have access to this spell, including Ferris, Garitch Fabless, Rem, Puck, Biehn Argyle, Beatrice, Garfiel Tinzel, and Aldebaran. Its first known usage was in Volume 2.
Huma (ヒューマ, Hyūma): A basic spell of either fire or water magic. The user creates a thin layer of ice in order to act as a barrier against attacks.[60] The spell can also be used to create basic ice that can be manipulated either for attacks, create platforms, or to stack layers of weight onto a weapon. Its known users are Rem, Emilia, Archi Elior, and Lye Batenkaitos. Its first known usage was in Volume 5.
- El Huma (エル・ヒューマ, Eru Hyūma): The next level of Huma in which the user creates several spikes of ice to fire at the opponent. Its known users are Emilia. Rem, Fortuna, Lye Batenkaitos, and Roswaal L. Mathers. Its first known usage was in Volume 5.
- Ul Huma (ウル・ヒューマ, Uru Hyūma): The third level of Huma in which the user summons a massive icicle as thick as five Subarus tied together, which can be used to crash down on a target. The force of the impact can easily breach sturdy structures, impaling and destroying the upper sections of towers or similar defenses.[61] It can also be used as a curtain defense, as in Sphinx’s case. Its users are Emilia, Rem, Fortuna, and Sphinx. Its first known usage was in Volume 11.
- Al Huma (アル・ヒューマ, Aru Hyūma): The final and most powerful level of Huma. The user summons massive, incredibly dense pillars of ice, each comparable in size to the central pillar of a mansion. These pillars are launched at super-high speeds, striking targets with tremendous force.[62] Its known users are Rem, Fortuna, and Emilia. Its first known usage was in Volume 7.
Dona (ドーナ, Dōna): The most basic of earth spells that can create a wall of earth for protection, fire a stone bullet at the target, or create a pillar of earth in front of the user. Its known users are Otto Suwen, Aldebaran, and Omega. Its first known usage was in Volume 5.
- El Dona (エル・ドーナ, Eru Dōna): The next level of Dona that creates a detonation of earthen spikes that pierce the target. If cast inside of a person, their body will explode.[63] Its known users are Otto Suwen and Aldebaran. Its first known usage was in Volume 20.
- Ul Dona (ウル・ドーナ, Uru Dōna): The third level of Dona in which the target creates a dome of earth thick enough to protect the user from most attacks.[64] Its known users are Petelgeuse Romanée-Conti and Otto Suwen. Its first usage was in Volume 9.
- Al Dona (アル・ドーナ, Aru Dōna): The final and most powerful level of Dona. The user summons forth an extremely devastating explosion of sediment flying towards its targets with speeds almost impossible to evade. The force of the attack is enough to pulverize large rocks and trees. If caught in the attack, one barely has any chances of escaping with their life.[65] The user can also use this spell to create makeshift earthen armor. Its only known user is Otto Suwen. Its first usage was in Volume 13.
Fura (フーラ, Fūra): The most basic of wind spells that creates a vacuum-like blade of wind that can sever most matter, including flesh, with ease.[66] Its known users are Ram and Archi Elior. Its first known usage was in Volume 3.
- El Fura (エル・フーラ, Eru Fūra): The next level of Fura in which the user creates a burst of wind, with uses ranging from several slashes, cushioning a fall, or churning the air and ground to create dust clouds.[67][68][69] Its known users are Ram, Roswaal L. Mathers, and Julius Juukulius. Its first known usage was in Volume 3.
- Ul Fura (ウル・フーラ, Uru Fūra): The third level of Fura in which the user conjures a powerful windstorm, centered around its target, capable of devastating entire areas.[70] Its only known user is Ram. Its first known usage was in Volume 11.
- Al Fura (アル・フーラ, Aru Fūra): The final and most powerful level of Fura. The user unleashes an extremely devastating torrent of wind blades that destroy everything and everyone in its path. The unleashed wind blades are described as having the force of a gigantic dragon and the sharpness of a treasured sword. People who are hit with this spell immediately have their eardrums destroyed, their entire bodies slashed to pieces and at the end, not even a pool of blood is left of them.[71] Its only known user is Ram. Its first known usage was in The Oni Sisters of the Hidden Village.
Shamak (シャマク, Shamaku): One of the most basic of yin spells in which the user creates a smoke-like cloud of darkness that obscures the target’s vision.[72] Its known users are Puck, Natsuki Subaru, and Beatrice. Its first known usage was in Volume 3.
- El Shamak (エル・シャマク, Eru Shamaku): The second level of Shamak in which the user separates one’s senses from their body, making them unable to control their body.[73] Its only known user is Beatrice. Its first known usage was in Volume 33.
- Ul Shamak (ウル・シャマク, Uru Shamaku): The third level of Shamak in which the user creates a black hole that can swallow the target.[74] Its only known user is Beatrice. Its first known usage was in Volume 25.
- Al Shamak (アル・シャマク, Aru Shamaku): The final and most powerful level of Shamak. When used, the caster sends the target to a separate dimension from which it is almost impossible to escape.[75] It is also possible to store powerful attacks and later unleash them onto a separate target.[76] Its only known user is Beatrice. Its first known usage was in Volume 15.
Minya (ミーニャ, Mīnya): A basic yin magic spell in which the user creates purple stakes of crystallized mana with light purple flames. The spell can ignore defenses, and when it hits, it can stop time on a part target, crystallize them, and cause them to shatter. Any stakes in the air explode and release smaller stakes that fly in all directions which then rips targets apart.[77] Even should these stakes be shattered by an enemy, the shrapnel can continue to chase the target, and they lose none of their effectiveness.[78][79] Its known users are Beatrice, Natsuki Subaru, and Omega. Its first known usage was in Volume 12.
- El Minya (エル・ミーニャ, Eru Mīnya): The second level of Minya that, while retaining the same effects, greatly increases the number of created stakes.[80] Its only known user is Beatrice. Its first known usage was in Volume 15.
- Ul Minya (ウル・ミーニャ, Uru Mīnya): The third level of Minya in which the user creates a ring around the target to bind them before unleashing a purple-blue light from above to destroy them.[81] Its only known user is Beatrice. Its first known usage was in Volume 20.
Murak (ムラク, Muraku): A basic yin spell in which the user reduces the effects of gravity on either themselves or their target. Just by lightly pushing yourself off the ground, a person can jump as if they had springs. If the user wishes to, it can also be used to fly, although the user will get blown around by the wind like a leaf, but they won't flip around in mid-air. Its known users are Beatrice and Natsuki Subaru. Its first known usage was in Volume 15.
Al Karum (アル・クラム, Aru Kuramu): The final and most powerful version of the Karum spell. The user creates a black hole of hyper-concentrated gravity that can crush anything that gets caught in it. Its only known user is Aldebaran. Its first known usage was in Volume 40.
Vita (ヴィータ, Vuīta): A basic yin spell in which the user increases gravity on the target. Its only known user is Beatrice. Its first known usage was in Volume 25.
- El Vita (エル・ヴィータ, Eru Vuīta): The next level of Vita that not only increases the gravity of the target but also their mass. Its only known user is Beatrice. Its first known usage is Volume 25.
Jiwald (ジワルド, Jiwarudo): A basic level yang spell that fires a ray of light from the user’s fingertip.[82] It has enough power to deal large damage to the target, but if it is untrained, it will instead leave small heat burns on the skin. Its known users are Echidna, Sphinx, Eridna (through Anastasia), Roswaal L. Mathers, and Petra Leyte. Its first known usage was in Sword Demon Love Song.
- El Jiwald (エル・ジワルド, Eru Jiwarudo): The next level of Jiwald which bears the same effects, but fires from all fingertips.[83] The lasers can also be held from the fingertips like a blade of light.[84] Its known users are Sphinx and Eridna (through Anastasia). Its first known usage was in Volume 23.
- Al Jiwald (アル・ジワルド, Aru Jiwarudo): The final and most powerful version of Jiwald. The user fires a massive blast of light from their palm that erases everything in its path at an incredible speed.[85] Even the likes of Emilia and Julius were unable to completely defend against it, and Grimm Fauzen’s specially made shield quickly heated up after attempting to defend against it. The spell has also been shown to be able to be fired through magic circles. Its only known user is Sphinx. Its first known usage was in Sword Demon Love Song.
Akra (アクラ, Akura): A basic level yang spell in which the user produces pale colored light around the target that envelops them in a veil of golden light. The veil presumably allows the target to carry things with ease. Its only known user was Priscilla Barielle. Its usage was in Arc 3 of the web novel. It should be noted that this spell was cut from the light novel, making its usage non-canon for the time being.
The spells listed here are spells that require the application of more than one element to cast, whether through spiritual arts or magic, and may require more than one person to cast. The spells here are listed in order from the number of elements required, with the use of an unspecified required number being placed at the end.
Nect (ネクト, Nekuto): A high level and difficult spell that connects people’s senses by connecting their gates through yin and yang magic, allowing them to share their thoughts or even see through each other’s eyes.[86] If the spell is too weak the thoughts won't get through, yet if it's too strong people won't know where the line between them and other people begin.[87] Its only known user is Julius Juukulius through his contracted spirits, In and Nes. Its first known usage was in Volume 8.
Ul Gora (ウル・ゴーラ, Uru Gōra): Requiring the use of fire and wind magics, the user creates a powerful firestorm that can be used to severely injure the target or obscure their vision. Its only known user is Julius Juukulius through his contracted spirits, Ia and Aro. Its first known usage was in Volume 17.
Cocytus (コキュートス, Kokyūtosu): A combination spell between Subaru and Emilia in which Subaru uses the yin spell Minya to create an outlined border of dark arrows while Emilia traces that line with her icy fire magic. Once the target is surrounded, the ground is raised, elevating the target and preventing them escaping. Its first known usage was in Volume 15.
Optical Camouflage: By using yang magic to bend light and wind magic to cover one’s aura, a person can become completely camouflaged by taking on the appearance of one’s surroundings. However, doing this is difficult while moving, even for one with the power of Volcanica at their side, and as such, it is best used while sitting still. Its known users are Balleroy Temeglyph and Aldebaran. Its first usage was in The Travelogue of the Finest.
Flying Magic (飛行魔法, Hikō Mahō): A spell that requires yang, earth, and wind magics to allow the user to float. A proficient user of this magic is able to move at a similar speed to flying dragons. Its known users are Roswaal L. Mathers and Sphinx. Its first known usage was in Volume 3.
Lightning Magic: By combining fire and water magic to create a thundercloud and combining earth and wind magic to create a lightning rod effect, the user is capable of casting lightning magic,[88] the speed of which surpasses even Reinhard.[89] This magic allows the user to bring down bolts of lightning from the sky, cover their weapon in an electrical charge, turn their enemies' weapons into lightning rods, or even create magnetic fields to trap a target in one place. It is not its own elemental magic and requires the use of multiple elements to cast. Its known users are Roswaal L. Mathers and Aldebaran. Its first known usage was in Volume 40.
Four Colors of Mana: A spell of Roswaal’s own making in which he generates four differently colored balls of mana in each hand, each color representing a different element. When he sends these balls toward a target, they burn, freeze, crush, and tear through the enemy with fire, water, earth, and wind magics. Its only known user is Roswaal L. Mathers. Its first known usage was in Volume 2.
Clarista (クラリスタ, Kurarisuta): A magic in which Julius uses all six elements to strengthen his sword. Its only known user is Julius Juukulius through his contracted spirits. Its first known usage was in Arc 3 of the web novel. It should be noted that its use was cut from the light novel, making the spell non-canon for the time being.
- Al Clarista (アル・クラリスタ, Aru Kurarisuta): A type of magic created by Julius in which the user strengthens their sword with all six elements and makes it easier for the user to cut through his targets. The blade glows with a rainbow light, and the blade can ignore most defenses. Its only known user is Julius Juukulius through his contracted spirits. Its first known usage was in Volume 9.
Al Clauzeria (アル・クラウゼリア, Aru Kurauzeria): By combining all six elements, the user can create a powerful blast of rainbow light that can tear through anything in its path, including the Authority of the Sin Archbishop of Sloth. Like the previous spell, this was created by Julius. Its only known user is Julius Juukulius through his contracted spirits. Its first known usage was in Volume 9.
Al Cranvel (アル・クランヴェル, Aru Kuranvueru): Like the previous two spells, this is a spell of Julius’s making. By utilizing all six elements, the user strengthens their own body in order to improve their physical abilities while covered in a rainbow light. This spell could only be utilized after the user’s quasi-spirits evolved into spirits due to the power required. Its only known user is Julius Juukulius through his contracted spirits. Its first known usage was in Volume 25.
Multi-Elemental Barrier: This spell requires all six elements in order to create a dome-like barrier. Using it allows the user to defend themselves from attacks or trap their targets within and prevent them from escaping or taking to the air. While this can be done by mages, using all six elements at once requires a lot of mana, effort, and mental strain, and it cannot be used freely. Its only known users are Julius Juukulius and Roswaal L. Mathers. Its first known usage was in The Travelogue of the Finest.
Weather Manipulation Magic (Altemillion (アルテミリオン, Arutemirion) in the Web Novel): This is a type of magic that allows the caster to freely change the weather with the usage of mana. The spell itself is extremely complex and requires a great deal of concentration and preparation. In the events of Arc 4, Roswaal was forced to use a catalyst in the form of an extremely high quality glintstone in order to cast it properly. It requires multiple elements to perform this magic. Its only known user is Roswaal L. Mathers. Its first known usage was in Volume 11.
Restoration Magic (復元魔法 Fukugen Mahō): A type of magic which can restore an object to its original form, even if it was damaged. While it is unknown what types of magics are required to use restoration magic, it is known that it requires multiple elements. Whether those elements are dependent on the object being restored is unknown. Its known users are Dartz and Muspel. Though it has yet to be shown, it is first mentioned in Volume 17.
Duplication Magic (複製魔法, Fukusei Mahō): A type of magic that can copy one thing into two that only few people can use. If used on a living thing, it can only copy its skin, but if it's used on something like food it's thought to be able to copy it without any problems. However, both the original and the copy degrade slightly after use. It typically requires earth magic, but the elements used can depend on the item being duplicated. It currently has no known users and has yet to be seen.
The spells and techniques listed here are considered to be advanced techniques that only true masters of the art are capable of using.
Multiplefold Magic: It is possible for expert mages to cast multiple spells at the same time. However, the difficulty in doing so is akin to using multiple brains. In the present day, there are only two known mages who can use multiple fold magic: Roswaal L. Mathers and Ezzo Cadner. However, it has also been stated that both Echidna and Myonmyon were capable of using this kind of magic, and to a high degree. Both are capable of using twofold magic, but Roswaal can use three-, four-, five-, and even sixfold magic. It is possible for two people to cast these spells together. The first usage of multiplefold magic was in Bonds of Ice.
- Al Duet (アル・デュエット, Aru Dyuetto): The user casts two Al level spells in combination. The only example shown so far is trapping an enemy in a great ball of water before causing it to boil. Its only known user is Roswaal L. Mathers. Its first known usage was in Volume 42.
- Al Trio (アル・トリオ, Aru Torio): The user casts three Al level spells in combination. The only example shown so far is in creating a veritable storm of fire, ice, and wind to cause enough damage to potentially wipe out a town. Its only known user is Roswaal L. Mathers. Its first known usage was in Volume 42.
- Al Quartet (アル・カルテット, Aru Karutetto): The user casts four Al level spells in combination. The only shown example so far is in using the four main elements to cause mass scale destruction that had the power to easily wipe out a city. Its only known user is Roswaal L. Mathers. Its first known usage was in Volume 42.
- Al Quintet (アル・クインテット, Aru Kuintetto): The user casts five Al level spells in combination. The only shown example so far is in creating a massive magical ray composed of the four main elements and yang magic. It bore enough power to not only counteract Volcanica's breath, but also to erase sound and color. Its power was the kind that if multiple people were capable of learning it that it potentially faced erasure by Od Lagna.[90] Its only known user is Roswaal L. Mathers. Its first known usage was in Volume 42.
- Al Sextet (アル・セクステット, Aru Sekusutetto): By combining his magic with another's, two people cast six Al level spells simultaneously, creating an aurora pillar with enough power to rewrite the laws of heaven and earth. A target caught within can have its own strength used as fuel for the magic and increase its density. It has enough power to shatter Volcanica's dragon halo. It is considered to be a miracle of magic that even Echidna and Myonmyon were unable to use. Upon use, however, the users' consciousnesses nearly merge, allowing them to get a glimpse into the other caster's mental state and wishes. Its first known usage was in Volume 42. Its known users are Roswaal L. Mathers and Ezzo Cadner.
Magic Composition Rewriting: With this technique, a user can rewrite a spell's composition. The only condition to successfully pull off the rewriting of a magic spell's composition is making physical contact with the spell itself, either in mid-casting or touching the spell of another mage. This can allow its user to disassemble a spell into mana, absorbing it through their own gate, and to circumvent the effects of a person’s Excess Mana Circulation Constitution. Its users are Roswaal L. Mathers and Ezzo Cadner. Its first known usage was in Volume 15.
Teleportation Magic: A spell that allows the user to teleport from one place to another. According to Aldebaran, teleportation ordinarily falls under yin magic for being a manipulation of space,[91] and it is considered a highly difficult type of magic.[92] Examples of this magic include constructing a technique and preparing a specified area where the technique could be used, thus connecting the two areas like doorways, or, by being willing to expend one's own Gate, so long as the person could visualize coordinates of a destination, they could teleport a target one way.[93] Its users are Echidna and Beatrice. As of yet, there have been no proper examples of teleportation magic.
The spells listed here are spells that are considered forbidden to use and are practically taboo arts.
Al Shario (アル・シャリオ, Aru Shario): This is a forbidden art that allows the users to drop stars from the sky. These stars, perpetually burning masses of mana, contain enough mana that can easily rival a great spirit, and by utilizing the attraction of mana of the same type, with delicate control and an unfathomable quantity of mana, the user can drop a star and direct it towards the target.[94] Its destructive power surpasses a Dragon's breath,[95] and it can easily kill multiple Dragons with ease. Its known users are Echidna, Sphinx, and Aldebaran. Its first known usage was in Loving the Days Gone By.
Ol Shamak (オル・シャマク, Oru Shamaku): An anti-Witch spell that immobilizes its target,[96] preventing them from moving and ceasing the activity of their body's gate.[97] When activated on a target without a Witch Factor or Authority, they are bound in a black light with a contradictory force.[98] The spell can only be used to its full potential when cast on someone with a Witch Factor or Authority, encasing them in a completely black orb. Anyone else who enters the vicinity of the spell while it is being used on a Witch Factor or Authority bearer will also find themselves captured within the orb. The orb can vary in strength, and it has the capability to become so tough that it cannot be destroyed by outside interference or simple brute strength, to the point that only something like a slash from the Dragon Sword Reid can destroy it. Although it is unclear if a person's strength can prevent this, if an ordinary person were to be sealed for an extended period of time, then they would find themselves bedridden and put in a state of recovery after being released. In the Sasageru IF, when Subaru was released from his seal after 400 years, he was put in such a state that if not for specific stimulus, he likely would not have recovered, and even with that stimulus, it took him 40 years to recover. It unusually uses an "Ol" prefix, meaning it classifies as separate from the typical prefix classifications. Its known users are Aldebaran, Echidna, Natsuki Subaru, and Beatrice. Its first known usage was in Volume 38.
Sacrament of the Immortal King (不死王の秘蹟, Fushiou no Hiseki): An extreme use of water magic in which the user revitalizes a corpse to be used as a mindless soldier that does the bidding of the caster.[99] It takes a person of exceptional talent to even bring about the smallest of effects from this spell,[100] and even should they succeed, in the original version of this spell, the soul will not return to the body,[101] leaving any corpses to be nothing more than an animated, rotting mess.[102] The undead created by this can retain the skills they had in life, but since their bodies are dead, they are weaker than in life. When an undead is revived, they are revived at a time when their abilities were at their peak, meaning that if someone died in their later years, they could be revived in their teenage years, as in the case of Theresia van Astrea. Over time, Sphinx was able to perfect the spell to a higher degree by combining it with mana from a Great Spirit and restoration magic, allowing her to create zombies that not only retained their full strength in life but also regenerated from wounds until their corebug was destroyed. Even if one zombie was destroyed, without special methods, said zombie would continue to revive, and their skills could even improve in ways they did not in life. The spell was originally made in an attempt to fully revive the dead,[103] as well as being rumored to have been created by a Witch.[104] However, those rumors were unconfirmed, and the spell was eventually mostly lost to the world, with the only known connection to it being the book owned by House Argyle prior to the house’s destruction.[105] Its known users were Biehn Argyle, Ferris, and Sphinx. Its first known usage was in The Dream the Lion King Saw.
Marcos Gildark’s Forbidden Art: An unnamed forbidden art that was attached to Marcos through an El Goa cast by Roswaal L. Mathers. It creates a magical armor made of grey stones that covers his body, increases his height to three meters, and makes him immune to things like poison gas. It is unknown why this art was deemed forbidden. Its only known user is Marcos Gildark. Its first known usage was in The Successor of Blue.
Sphinx’s Forbidden Art: A forbidden art developed by Sphinx that could create a blind spot in Od Lagna, invalidating its constraints. This was effective for nullifying the effects of Divine Protections and the Kingdom of Lugunica's covenant with Volcanica. In the period ensuing the Demi-Human War's end, Stride Vollachia acquired the means to replicate it and unleashed it during the Subjugation of the Blight Dragon. Its known users are Sphinx and Stride Vollachia. Its first known usage was in Sword Demon Battle Ballad.
Dream Arts (夢法, Yume-hō): Dream arts allow its user to scour through a person’s dreams and manipulate them. Due to its nature, it is a forbidden art, and its users are said to have been wiped out,[106] though Subaru suggests that it is possible that dream arts users used their abilities to manipulate the mind in order to make others think that they have died out.[107] In order to become a dream arts user, the apprentice must search for the feeling of the Od of a person who has been put to sleep, and they must successfully synchronize with the Od of the person to wake them up before they die. If the attempt fails, then they must repeat the process with others until they succeed. After the first success, the user must become faster at sensing the target’s Od until they can use the art proficiently, and in the end, when the person becomes a true dream arts user, they wind up having a fuzzy sense of self that can be influenced by the habits of others, as the dream arts user would become more attuned to the Ods and dreams of the people around them. Proficient dream arts users are capable of creating spaces such as the Castle of Dreams which can inhabit souls that the user collected, such as in Echidna’s case with the Witches of Sin, while other masters of the art are capable of dragging entire towns into their dream world. This being said, according to Beatrice, Echidna ability to slip into someone's mind may apply similar methods but is in fact separate from dream arts.[108] Certain users of this art have been recognized to have the potential to become a Witch. Its known users are Echidna, Shion, and Lilac. Its first known usage was in Volume 10.
- Musa (ムーサ, Mūsa): A basic spell of dream arts that allows one to break through barriers. This spell is exclusive to non-canon media and should not be considered canon.
- El Musa (エル・ムーサ, Eru Mūsa): The next level of Musa in which the user fires a grey ball at the target. This spell is exclusive to non-canon media and should not be considered canon.
- Hypnosis Magic (催眠魔法, Saimin Mahō): A form of magic that temporarily stops mana from flowing into the target's Od, severing their consciousness from reality. Hypnosis Magic is considered the specialty of dream arts users. Its only known user is Shion. Its first known usage was in Omega in Wonderland.
- Thought Implantation: Using dream arts, it is possible to place a thought into another person's head and leave them to act on it, such as making a person think of the user as an ally and making them stop any pursuers chasing after them. At present, its only mention was by Echidna in Omega in Wonderland.
- Phantom Creation: A dream arts user is capable of creating phantoms of themselves or their targets. It allows the user to steal a person's memories and manipulate their consciousness. Because dream arts' usage requires that the user be asleep, having a phantom allows the user to bypass this rule, with the phantom being able to manipulate the dream world while the original person can remain awake. Its only known user is Shion. At present, while the technique has not been shown, the results of using this ability is displayed in the birth of Lilac and the non-canon Alcor.
- Memory Scouring: Dream arts users are attuned to other people and are influenced by their memories. If the user chooses to, they can look into another person's memories to extract specific information. However, their target may show resistance, preventing them from reaching the memory they are looking for. Its only known users are Shion and Lilac. While its usage has yet to be shown, it is first mentioned in Omega in Wonderland.
The spells listed here are spells that are thought to be lost to time or have almost no remaining practitioners left in the world. If any lost spells or techniques are listed as both lost and forbidden, as in the case of dream arts, they will be listed beneath Forbidden Arts above.
Soul Transcription (魂の転写, Tamashī no Tensha): The user can transcribe their soul over a vessel's. By doing so, the user can in theory achieve immortality. The version of the spell used through the 400 years of the story's events was devised by the Witch of Greed. Originally, in order for the spell to work, one would have to transfer their soul into a body that's related to the user by blood; however, Echidna found a way to somewhat bypass that obstacle. Its known users are Roswaal L. Mathers and Echidna. Its first known usage was in Volume 15.
Magical Shroud Excitation: A forgotten technique from centuries ago in which a certain tribe from the past was able to forcibly manifest the Flow Method via their war cries in a similar manner to Yang Magic.[109] Those affected feel a state of enhancement of the senses, increased physical toughness and physical capacity, and increased cognitive ability and reaction time, in a state of multiple enhancements.[110] The Witch of Greed, Echidna, attempted to recreate this technique, but she eventually gave up on doing so.[111] Natsuki Subaru was capable of performing a technique similar to this with the Pleiades Battalion via his Authority of Greed, in which he shares the burden of the strengthening with everyone connected to him, and he is the only one capable of recreating this technique due to this ability.[112] While its usage has yet to be shown, it is first mentioned in the web novel version of Arc 7. In Volume 33, it is alluded to, but not named.
The spells listed here are spells that are not considered ordinary magic, require a specific caster, are special applications of magic, and/or use only one specific element. The spells listed here also do not fall under any previous category.
Yellow Eye: The user is able to use a yellow eye to break magic apart. However, this ability does not seem to be instant, as when she used it to destroy a powerful magic circle, she first had to slightly tamper with the circle and then concentrate for a short time to allow her eye to cancel it. When it cancels magic, it seems to flicker slightly. Its only known user is Roswaal J. Mathers, but the eye seems to be inherited by her successors. Its first known usage was in Ex 2.
Yin Magic Sealing: By using yin magic, the user can seal the target and both prevent the target from dying and keep them from moving. It is the same kind of seal that was used to seal the Witch of Envy. According to Al, it works similarly to Ol Shamak, and according to Roy Alphard, anyone sealed this way can still somewhat sense the outside world. It required the combined efforts of Beatrice and Julius to create,[113] and the only way to undo the seal would require that the one breaking the seal is skilled in Yin Magic as well.[114] Its only known user is Julius Juukulius through his contracted spirit, Nes, and Beatrice. Its first known usage was in Volume 25.
Door Crossing (扉渡り, Tobirawatari): A spell that can connect the door of the Forbidden Library to any closed door in the vicinity. The spell seems to be an application of yin magic. Its only known user is Beatrice. Its first known usage was in Volume 2.
- Infinite Corridor (無限の回廊, Mugen no Kairō): An ability similar to Door Crossing in which the user warps a space to make a person go through endless loops, whether through a long hallway or by endlessly connecting two doorways. This is able to be applied with either yin or yang magic. Its only known users are Beatrice and Roswaal L. Mathers. Its first known usage was in Volume 2.
Cognitive Disruption (認識阻害, Ninshiki Sogai): A spell effect that can be woven into objects, such as cloaks or masks. It inhibits people from being able to recognize the person wearing the object that the spell is enchanted into. This spell is woven into Emilia’s white cloak. Its users are Roswaal L. Mathers and Ezzo Cadner. Its first known usage was in Volume 4.
One Blow, One Hundred Felled (百人一太刀, Hyakunin Hitotachi): An attack in which the user combines wind magic and the Divine Protection of Wind Reading in order to unleash a powerful and long-range wind slash against the opponent. It can cover a large distance and even deal damage to something as powerful as the White Whale.[115] However, the spell is at its most powerful in an enclosed spell, in which the spell is at its greatest strength and can create a vacuum behind it, making it incredibly difficult to avoid. The spell is unique to Crusch Karsten. Its first usage was in Volume 7.
Illusionism: The user is capable of generating illusions using a combination of wind magic and a hallucinatory drug.[116] Every illusion created through the scent of a flower is implied to have a flower in it, which is the key to dispelling the enchantment. Its only known user is Ram. Its first known usage was in Volume 8.
Ice Flower (氷の花, Kōri no Hana): This fire spell uses the life force and blood of the target to make flowers made of ice bloom on their bodies.[117] When the user lacks control over the spell, it becomes difficult to control the affected area and stop it. Its only known users are Puck and Emilia. Its first known usage was in Bonds of Ice.
Ice Brand Arts (アイスブランドアーツ, Aisuburandoātsu): This technique, which was developed by Subaru and Emilia, allows Emilia to instantly conjure ice made weapons which she can use and freely manipulate in close-quarters combat. The weapons created are very sturdy and are even capable of withstanding heat. Where Ice Brands Arts shines is in abusing the fragility of ice to its advantage: even if the weapons she uses are destroyed, she can keep combat flowing by instantly creating a new ice weapon. Utilizing the technique also requires a lot of mana to use, so even when it was copied by Gluttony, he could not use it to its full extent. Similarly, Emilia has to have a clear picture in mind of what she wants to create, using drawings and objects around her for inspiration, often creating things in precise detail. She can also create numerous weapons over a wide area, which allows her or others to pick up and use. With further improvement, the weapons she creates become capable of freezing any opponent she strikes with them, which can allow her to take an opponent alive instead of killing them.[118] Its known users are Emilia and Lye Batenkaitos. Its first usage was in Volume 17.
- Ice Brand Arts: Icicle Line (アイスブランド・アーツ、アイシクルライン, Aisuburandoātsu: Aishikururain): Developed by Subaru and Emilia, Emilia creates a limited area barrier made of ice particles around her opponent, which she uses to attack in all directions by transforming them into weapons. This barrier of cold can also act to trap her target while simultaneously wearing down their body with excessive coldness, effectively reducing them to being unable to continue fighting. This spell is unique to Emilia. Its first usage was in Volume 22.
- Ice Brand Arts: Ice Soldiers (アイスブランド・アーツ: 氷の兵隊, Aisuburandoātsu: Kōri no heitai): Developed by Emilia without Subaru’s help, Emilia can create soldiers who are completely made out of ice. Uniquely, she shapes them all after Subaru. These soldiers are exactly the same as actual humans and wield weapons made of ice. They follow every order given to them by Emilia. The soldiers' strength depends on the mana density; the more mana Emilia uses, the stronger and tougher the soldiers will be. Regularly, her ice is as tough as steel, making ordinary attacks useless against it. Currently, Emilia is able to create up to seven proper Ice Soldiers and no less than ten soldiers with only their torsos, heads, and arms. When destroyed, these soldiers can regenerate back to their full health as long as Emilia has the strength to do so, as if replicating Subaru’s Return by Death. This spell is unique to Emilia. Its first known usage was in Volume 25.
Absolute Zero (絶対零度, Zettaireido): This is Emilia's absolute trump card, and the strongest attack in her arsenal. According to one web novel passage, if her normal magic was rated a 1, Absolute Zero would hover around a 10, if not even around 100.[119] It is devastating enough to be able to end pretty much any real battle in a single blow.[120] Absolute Zero allows Emilia to freeze the atmosphere around her to such a degree that a vacuum is created, inside which, even time can be stopped.[121] Any and all beings that find themselves in this vacuum have zero chances of survival. With this ability, she was able to utterly nullify the Divine Dragon's purifying breath, which has been described to be hot enough and strong enough to melt through anything and disintegrate everything it comes into contact with; Emilia's Ice Soldiers were sturdier than even metal, yet they were instantly scorched from existence by Volcanica's purifying breath. Even with Emilia's level of mana, Absolute Zero consumes a massive amount to perform. This ability was named by Natsuki Subaru sometime following the events of Arc 4.[122] This spell is unique to Emilia. Its first usage was in Volume 14.
- Ice Age (アイスエイジ, Aisueiji): This is a controlled version of the climate changing magic she used to freeze Elior Forest, and it causes temperature within a given area to drop rapidly. When used, it begins to snow, and the sky seems to be dyed white. This spell is unique to Emilia. Its first known usage was in Volume 30.
EMM (E・M・M): This is an "absolute defense magic" created by Subaru and Beatrice. Beatrice uses yin magic to interfere with the time and space around Subaru, and while he can't move during activation, he experiences no interference from outside the barrier. It is similar to Regulus Corneas's Lion's Heart, but it does not have the same risk, renders Subaru and Beatrice unable to move, and can be used until mana runs out. This spell is unique to Natsuki Subaru and Beatrice. Its first known usage was in Volume 17.
EMT (E・M・T): This is an "absolute negation magic" developed by Suabru and Beatrice. It is a spherical field several ten meters long with Subaru and Beatrice at the center is created, which negates effects from mana within it, including the Sand Time barrier around the Pleiades Watchtower. Julius remarks that it is useful against mages and those who use mana to assist their techniques. However, the magic only negates the use of mana, and so it has no effect against opponents who fight without it. This spell is unique to Natsuki Subaru and Beatrice. Its first known usage was in Volume 21.
Magic Bullets (魔弾, Madan): Originally created by Balleroy Temeglyph, the user fires colorless round blasts of light that can pierce through most targets. It can be fired repeatedly and with a minimal amount of mana, and it contains enough destructive force to easily render a forest to an open field. With enough proficiency, one can even rebound the shots with their surroundings. Its known users are Balleroy Temeglyph and Roswaal L. Mathers. Its first known usage was in The Travelogue of the Finest.
Silencing Magic: An application of yang magic in which the target’s voice is amplified so much that it cannot be heard by others. Its only known user is Ezzo Cadner. Its first known usage was in Volume 39.
Magia Railgun (マギア・レールガン, Magia Rērugan): By working together with “Alter” Volcanica, who at the time carried the same magical signature as Aldebaran, the two generate two vertical cylindrical formations coated in purple lightning, upon which they can fire a specialized bullet made of Volcanica’s scales molded into the shape of a liuyedao via earth magic. When fired, even Reinhard van Astrea cannot completely avoid damage from it. It is possible for them to fire multiple shots. This spell is unique to Aldebaran. Its first known usage was in Volume 40.
Earth Brand Arts (アースブランド・アーツ, Āsu Burando Ātsu): Al can use his magic to create various constructs to aid him in battle. His most common application is by creating a prosthetic arm or weapons, but he has shown able to create things such as wings for gliding in the air. The name Earth Brand Arts is a riff on the name of Emilia's Ice Brand Arts, which was coined by Subaru. Its only known user is Aldebaran. Its first known usage is in Volume 38, though its name is not coined until Volume 41.
Blood-Weeping Oni (血涙鬼, Ketsurui Oni): Blood-Weeping Oni allows the user to manipulate his own spilt blood to bind and attack his enemies. He can also make his blood coagulate and return to his body, essentially allowing him to halt his own bleeding. Its users are Advan and Roy Alphard. Its first known usage was in Volume 42.
Lord of Phantasmal Rainbows (虹幻公, Kōgen Kō): By using the residual mana of the corpses of witchbeasts as catalysts, the user can create rainbow butterflies that create prismatic explosions upon contact with the target. Though, they can be made to detonate early by using the environment or magic in place of oneself. The technique is reminiscent of the prismatic spiritual arts of Julius Juukulius,[123] meaning that the butterflies are likely made up of all six elements. These butterflies can also be used as mana tanks, from which the user can absorb into their own body to maintain their mana stores. Its users are Matclyma Jordon and Roy Alphard. Its first known usage was in Volume 42.
Any spells or techniques listed here are those that do not fall under any previous category. Sword techniques are being considered different from techniques that involve the Flow Method, as are techniques such as Noh, Leaper, Spica’s earth softening technique, or those utilized by shinobi, as they are as of yet unconfirmed to be associated with magic or the Flow Method in any regard. Likewise, effects generated by objects or minerals, like the secondary effect of the Night Banishing Stones, as well as species specific abilities such as Evil Eyes, which belong to the Evil Eye Tribe, will be excluded from this section for similar reasons.
Flow Method (流法, Nagare-hō): Most combatants use this in order to strengthen their bodies for combat. Someone of Gaston’s proficiency is said to be average whereas exceptions like Reinhard van Astrea and Cecilus Segmunt also exist. With enough proficiency, users can create different techniques that can either deal devastating damage towards their foe or protect them in special ways. While used throughout the series, its name isn't revealed until Volume 20. For more specific details, see Flow Method under the Information section above.
- Fa Jin (発勁, Hakkei): A martial arts technique that deals a single crushing blow to the internal organs behind muscle. It is also possible to apply magic to this technique to deal even more damage, as shown when Roswaal L. Mathers applied fire magic to such a strike. Its known users are Roswaal J. Mathers, each generation that followed hers, and Marcos Gildark. Its first known usage was in Once Upon a Time in Lugunica.
- Palm of the Fist King (拳王の掌, Ken Ō no Tenohira): A technique originally developed by Neiji Lockhart to strike his opponents with an extremely powerful fist, and its destructive force granted him the capability to blast and drill through steel or flesh. Its users are Neiji Lockhart, Lye Batenkaitos, and Roy Alphard. Its first known usage was in Volume 20.
- Carnivorous Beast (肉食獣, Nikushoku-jū): An ability originally owned by Beli Hainelga to strengthen his body, something which gave him two advantages: he could withstand powerful attacks and strengthen his limbs to deliver devastating blows. With this ability, the user can take a hit from Emilia's ice spear and come out unscathed and deliver a retaliating punch that, from Subaru's perspective, would be as devastating as getting hit by a car. Its users are Beli Hainelga, Lye Batenkaitos, Rui Arneb, and Roy Alphard. Its first known usage was in Volume 24.
- Ultimate Palm (絶掌, Zettenohira): A powerful palm strike granting Roy the sheer power to push people flying back with the force of a car and to destroy physical objects like swords by merely colliding with them. This ability is implied to originally belong to an individual who claimed to slay eighty-eight “pretty boys”. Its only known user is Roy Alphard. Its first known usage was in Volume 20.
- Snow Vallum (雪喰, Yukikui): A technique that allows the user to enhance his physical might and grappling strength, and by doing so, he can stop the charge or attack of a beast larger than himself, such as a Guiltylowe. It is implied to have enough strength to stop an entire avalanche. Its known users are Tislow and Roy Alphard. Its first known usage was in Volume 42.
Barriers: Certain characters have shown to be able to generate transparent barriers that can defend from attacks. The strength of the barrier likely differs from person to person and by what kinds of attacks they are defending against. There are also some barriers with unique effects, such as the one that wrapped around the Sanctuary for four centuries, with said example preventing others from reaching the village while half-blooded demi-humans would lose their souls if they attempted to leave the barrier. Its known users are Beatrice, Echidna, Mimi Pearlbaton, and Zank Metley through his contracted spirit. Its first known usage was in Volume 2.
Mana Drain: There are certain characters that can rapidly drain mana from another person and can both inflict upon them pain and render them unconscious. Its known users are Beatrice and Puck, with Reinhard van Astrea being able to perform a similar feat. Its first shown proper usage was in Volume 2.
Explosion Technique (爆裂術式, Bakuretsu Jutsushiki): By manipulating mana, a user can create drifts around themselves and use this technique to set up an explosion inside of it, utilizing the surrounding mana to detonate an explosion in an area of the user's choosing. The technique itself is invisible and can be set up in a single motion, though it requires precise calculations and a calm use of the user's magic power. It can be triggered by the user or from outside stimulation. Its known users are Faust, Fogg, and Sergei. Its first known usage was in The Oni Sisters of the Hidden Village.
Attribute Determination: The user is able to determine which magic attributes people had an affinity for. This technique was used to determine Subaru's affinity for the yin attribute by Roswaal and Puck, with both of them using the “myon” chant to ascertain the result. Its known users are Myonmyon, Puck, and Roswaal L. Mathers. Its first known usage was in Volume 2.
Memory Reading: The user can read and inherit a person's memories. Echidna described it as a way of “downloading” memories,[124] and said the “myon” chant that accompanied it was a crucial ritual to read one's memories. Its known users are Myonmyon and Echidna.
Trivia
- Despite having effects similar to it, a Dragon's breath is not magic. It is instead an exceedingly powerful torrent of mana that destroys anything that makes contact.[125]
- Ricardo Welkin and the Pearlbaton triplets Mimi, Tivey, and Hetaro employ a similar technique that unleashes a blast of destructive mana called the Roaring Wave.
- In the light novel, the name of Magical Shroud Excitation was removed. However, the method itself was still alluded to, making the technique itself still canon.
- There exist several Divine Protections that involve a person's connection to the different magic affinities.
- Ferris's Divine Protection of Water increases his proficiency with Water Magic.
- There are numerous Divine Protections that make one 80% unaffected by the elements of magic.
- In the web novel, Roswaal had a Divine Protection that made him proficient with all elements of magic. However, this was removed in the light novels, making his proficiency with magic unassisted by the protection.
- One Divine Protection makes a person immune to magical buffs and debuffs.
- The author once stated that it was possible to use lightning magic and that Roswaal could use it. However, lightning is not an elemental attribute, as it is a combination of several elemental attributes. In Arc 9, it is shown that each of the four main elements have a part to play when generating lightning.
- It is possible to cast magic through a second vessel assuming that it carries the same magical signature and is able to cast magic.
- House Mathers is a House famous for producing numerous accomplished mages, and even the one member of the House who could not use magic, Roswaal J. Mathers, moved the research of magic forward in the Kingdom.
- Capella is able to change her Gate when she uses her Authority to transform.
- Whereas the Kingdom of Lugunica specialized in magic, the Vollachia Empire has shied away from magic after a previous emperor, Murkia Vollachia, failed in his experiments to use yang magic to boost an entire army during a war.[126][127]
- Lugunica uses the colors system to denote the most powerful users of each respective color of magic. Ferris is known as the Blue for water while Roswaal bears the titles of Red, Yellow, and Green for fire, earth, and wind respectively. The colors of Black and White for yin and yang are vacant, but Ezzo Cadner, uniquely, is derisively referred to as having the unofficial title of Grey, denoting that while he is one of the country's best magic users, he does not excel in any of the colors of magic and therefore has no true title.
- Originally, curse arts were classified as a type of magic. However, on a talk show held on March 30, 2024, the author stated that curse arts were separate from magic.
- Although Roswaal described the Sacrament of the Immortal King as a curse art in Sword Demon Love Song, each successive mention of the spell has only stated that it is a type of magic.
- According to Al, the seal used on the Witch of Envy bears similar properties to Ol Shamak.
- There exist certain insects utilized by the Insect Cage Tribe that can parasitize a target's Gate and devour their mana, resulting in their death.
- Certain curses can interfere with one's internal mana.
- The Wolgarm Curse, inflicted via Wolgarm bites, can drain a target of their mana while they feed on it, resulting in the target dying.
- Wolgarms are currently the only known type of witchbeast to utilize magic.
- Despite this, although it is unconfirmed to be magic, the Crimson Scorpion, alternatively known as Shaula, uses a technique with properties similar to magic called Hell's Snipe. Even in her scorpion form, she can fire off these needles from her stinger.
- The fog created by the White Whale is actually its mana which has been modified. As such, it should not be considered magic.
- According to the author at a talk show held on April 6, 2025, while there is an attribute system for magic, not many people look into their natural attributes, and some people only ask their masters to check their attribute after they have mastered magic.
- Authorities can have an effect on a person's Gate.
- A part of Stride Vollachia's Ten Hubristic Commandments can exhaust the Gate and cause rotting in the target's limbs as a result.
- Capella's Authority allows her to transfigure even the target's Gate.
- According to the author on the talk show held on April 6, 2025, the prefix "Ol" which is used in the forbidden spell Ol Shamak is classified separately from the usual prefixes. Likewise, "Ol" does not represent the strength of the spell; rather, it denotes that the spell is special.
- Enchanted Swords are said to have and have displayed magical properties.
- A Sage or Sage Candidate is supposedly immune to the miasma a Witch exudes, and Subaru, who has been recognized as a Sage Candidate by both Daphne and Sekhmet, has proven to be able to stand before all of the Witches while being unaffected by their miasma.
- Despite this, when he was later exposed to the miasma in one of the paths beneath the Pleiades Watchtower, he was affected and driven into a murderous frenzy alongside his companions. Whether this means that the miasma there is different from what is exuded from the Witches is unknown. Likewise, it is unknown if the miasma emitted from Magical Miasma Stones should be consider the same as a Witch's miasma.
- It should be noted that the Vita and Karum spells seem to be derived from the same or similar effects: the increase of gravity. Whether this is an error by the author or something differentiates the two spells is unknown.
- The Mining City of Ganacks in the Kingdom of Lugunica is known for being the lead harvesting city of magic related stones.
- According to the author, although there is currently no title for the strongest magic user, the title would be "Great Sorcerer".
- Sergei possesses an unknown technique capable of poisoning mana. It is unknown if this technique has any relation to miasma.
- The Yang Sword Vollachia, which is said to be capable of burning anything the user desires, can also burn through magic, even if the nature of said magic is typically intangible or ordinarily incapable of burning.[128]
- Yin magic is so rare that even Beatrice has never seen more than ten yin magic users in the same room.[129]
- According to the author, the exact condition of Reinhard's gate at birth is considered a spoiler.
- During the events of Arc 7, when he was separated from Beatrice, Subaru managed to withstand having an immense amount of mana gather within his body, which should ordinarily have been lethal with his broken gate.[130][131] Though his mana has since been subdued after reuniting with her and even gave her a greater amount of mana to work with, Subaru has speculated that the irregularity with the mana in his body was caused either by his connection to the Pleiades Battalion or by the infantilization on his body causing an abnormality with his gate, with the former option being more likely.[132]
- Noelle Tuérico has a seal on her body that can resist the influence of external magic and curse arts, and this can extend to anyone she carries. It is unknown whether all members of the Gustekan Church or Noelle alone has this seal.
- According to Ezzo Cadner's deductions, the birds seen flying in the vicinity of the Pleiades Watchtower were magically constructed rather than organic beings. However, it is unclear what form of magic it is.
- Although the function of Ol Shamak that seals someone within a black orb is claimed to only work on Witch Factor holders, both Aldebaran and Felt have been subject to it despite neither of them possessing a Factor.
- When Magrizza existed, those who were capable of using magic were considered superior while those who could not were considered inferior, something which led to the conflict surrounding the attempted marriage between the country's crown prince and Echidna.[133]
- According to the author, people who excel physically and magically, such as Emilia and Roswaal, are rare, as most people focus on one path and tend to neglect the other.[133]
References
- ↑ 1.0 1.1 Depending on the user’s imagination and practical utility, magic could extend one’s possibilities infinitely. In other words, by acquiring an extreme amount of Mana, the Witch, Sphinx, would gain the power of a transcendent being that could make almost anything possible. Arc 8, Chapter 71, Section 7.
- ↑ Though it was a highly misunderstood fact, the kind that had gone unwritten in any books at that, the use of mana in the human body was not only limited to casting magic. No small number of martial arts techniques had their foundation in the use of mana, in the same way it was used in Spirit Arts, Curse Arts, and in the activation of some Meteors. It was perfectly natural for an elite warrior, especially, to use mana to strengthen his own body. Arc 7, Chapter 98, Section 1.
- ↑ In order to use magic, what was required was a mental image of the effects, and the construction of the technique. If either was lacking, magic would not take form, and the more complex the endeavor being attempted, the longer it would take to conceive a mental image of its effect. That which Al had performed, was borne of a mental image far too certain in regards to a surprise attack from his blind spot. Re:Zero Light Novel Volume 42, Chapter 4, Section 2.
- ↑ “Fingers and tools can be used to assist with the invocation of magic. It is a mistaken conception that those who are not versed in magic are prone to having.” Re:Zero Light Novel Volume 37, Chapter 7, Section 7.
- ↑ Spilling out pathetic cries of pain, Spica fell to her knees, as her left thigh had been pierced by white light. ——Unable to use either of her hands, that had been done by a blow fired from Sphinx’s undead golden right eye. Re:Zero Light Novel Volume 37, Chapter 7, Section 7.
- ↑ As Spica desperately swung around blows, Sphinx utilized smooth technique as if to say “the soft controls the hard”, and sometimes, she would interweave magic fired from her fingertips into her counteroffensive. Re:Zero Light Novel Volume 37, Chapter 7, Section 7.
- ↑ “The world was a tough place for humans to live four hundred years ago. Magic was an exclusive strong suit that demi-humans and spirits had, regardless of which country you were in.” Re:Zero Tanpenshuu Volume 6, The Witch's After Tea Party / The Requirements to be a Witch, Section 3.
- ↑ “Oh, that. It would seem that, before I was born, there was a magic user who made quite the name for herself in an era when magic had yet to be systematized.” Re:IF Kasaneru, Talk Pages.
- ↑ Prior to this, the only ones who had ever materialized great magic―― no, hyper magic to this degree, were the Witch of Greed, Echidna, and the Original Magician, Myonmyon. Re:Zero Light Novel Volume 42, Chapter 4, Section 6.
- ↑ “So, when those who received her instruction would use magic, they would chant this to remember the words of their master…” Re:IF Kasaneru, Talk Pages.
- ↑ Manipulating temperature, the Fire attribute produced flames and even ice. Arc 7, Chapter 98, Section 2.
- ↑ Interfering with an organism’s life force, the Water attribute facilitated the healing of wounds and illnesses, saving lives. Arc 7, Chapter 98, Section 2.
- ↑ Arranging the environment by interfering with the atmosphere, the Wind attribute was able to even secure habitable areas in inhospitable regions. Arc 7, Chapter 98, Section 2.
- ↑ Manipulating the earth’s power, the Earth attribute could fertilize as well as starve out the land. Arc 7, Chapter 98, Section 2.
- ↑ “The Fire Attribute relates to temperature. The Water Attribute regulates life and healing. The Wind Attribute functions outside the bodies of living things. The Earth Attribute allows for the manipulation of land. The attributes are mainly divided into these four categories, aaand~ normal humans have an affinity for one of the four. Incidentally, did you know that I have an affinity for aaall~ four?” Re:Zero Light Novel Volume 2, Chapter 3, Section 3.
- ↑ Amidst the six magic attributes in which the magic system of the world was divided, Yin Magic and Yang Magic had only a few wielders, but the neglect they suffered was justified by reasons other than their study being difficult. Arc 7, Chapter 98, Section 2.
- ↑ Compared to each of those attributes, the usage of which could be clearly envisioned, the Yin and Yang attributes were basically thought of as effects that either enhanced or hampered the performance of one’s body. While technically a misconception, the fact that such an image had taken hold was a major factor as to why the development of magic of the Yin and Yang attributes was so lacking. Arc 7, Chapter 98, Section 2.
- ↑ “It also depends on the attitude of the one learning, but that is not why. The attributes of Yin and Yang have a conflicting relationship, so if you advance in one it will have an impact on your acquisition of the other one. And, the talent you possess for the Yin attribute is planned to all be used for the acquisition and execution of the forbidden art you are to be taught.” No Stella No Life 1, Section 2.
- ↑ And albeit surprising, the one that still possessed a reputation for being especially out of place and useless was the Yang attribute―― which held the power to enhance people’s capabilities. Arc 7, Chapter 98, Section 2.
- ↑ For example, when it came down to performance on the battlefield, those who enhanced their physical abilities via Yang Magic would suffer complete defeat by the enemy, in most cases. The reason was simple. They could not handle their own enhanced bodies at all, they were unable to demonstrate their strength whatsoever; it was as if they were in control of someone else’s body. Arc 7, Chapter 98, Section 2.
- ↑ As for those targeted by Yang Magic, they would discard their normal selves and head to the battlefield in a new body donning enhanced specs. As a result, many of them would perish without achieving anything. Arc 7, Chapter 98, Section 2.
- ↑ The problem went even further, as the efficacy of Yang Magic was greatly affected by the skill of the caster themselves, as well as their physical and mental condition that day. Arc 7, Chapter 98, Section 2.
- ↑ Even if a warrior who had been subjected to Yang Magic were able to adapt to his enhanced body, there was no guarantee that the same enhancement being performed by the same caster on the very next day would be as effective. Yang Magic was not expected to improve one’s ability to fight consistently; on the contrary, it was recognized as a flaw that prevented one from demonstrating one’s usual abilities in adequate fashion. ――This, was the reason why Yang Magic had been neglected. Arc 7, Chapter 98, Section 1.
- ↑ Therefore, Yin Magic had remained as a means of harassment, in the sense that it inflicted unusual physical effects on the enemy, but magic had declined in the Vollachian Empire―― even in other countries, Yang Magic was considered a cursed practice that was seldom used barring for self-enhancement. Arc 7, Chapter 98, Section 2.
- ↑ Unlike Emilia’s Huma, which manipulated heat and condensed moisture in the atmosphere to create ice, Rem specialized in the type of Huma that created water from nothing using magic, outputting that water as materialized ice from the outset. Re:Zero Light Novel Volume 42, Chapter 2, Section 4.
- ↑ Neither Huma was necessarily superior to the other, but the Emilia-type Huma, which utilized the moisture in the air, required less mana and possessed the advantage of remaining in place after serving its purpose, allowing for it to be reused. On the other hand, the Rem-type Huma required more mana because it created water from nothing, and after being used, it would return to mana and leave no trace. Re:Zero Light Novel Volume 42, Chapter 2, Section 4.
- ↑ "The power becomes stronger in the following order: No Prefix -> El -> Ul -> Al." Narou Blog
- ↑ Roswaal and Beatrice use magic without chanting; that's because they're able to press the start switch on magic without speaking. When you've mastered it that well, you can use magic even if you can't speak." askFM Q&A
- ↑ “Yes. His aptitude for healing magic is greatly enhanced with the Divine Protection of the Blue.” January 24, 2019 Twitter Q&A
- ↑ Amidst his feelings of desperation, the research of the Blue had elevated the field of healing magic existing in the Kingdom of Lugunica by not one, but three whole levels in this short period, but at this time, that did not make Ferris feel anything other than worthless. Re:Zero Light Novel Volume 43, Curtain's Close, Section 6.
- ↑ The alternate chanting, the rapid use of the magic in succession was like a delicate motion combining the selfsame system of the magic. The People of Shudrak, who had nothing but respect and admiration for the Vollachian Empire that had mastered the art of warfare at the expense of developing magic, could not comprehend this extraordinary skill. It was like she was threading a needle with her eyes closed and her hands tied. Or perhaps, it was a superhuman feat, akin to putting the selfsame thread through countless lumen simultaneously. Arc 7, Chapter 106, Section 3.
- ↑ Of course, she couldn’t see the man from the rooftop of the guard station. Casting magic on an enemy that you couldn’t even see because of distance would classify as an impossible magic skill for any high-class magic user. Re:Zero Prequel: The Oni Sisters of the Hidden Village, Chapter 4, Section 6.
- ↑ Disguised as a water-manipulating Shiha-class incantation, this was a faux-incantation that, in practice, could alter the magic that had actually been invoked. Re:Zero Light Novel Volume 39, Chapter 4, Section 4.
- ↑ Then, Al jumped upward and transformed a stone that he had grasped into a second dao. Compared to producing fire or water from nothing, using a pebble as a catalyst to transform it into a large sword consumed less Mana and was orders of magnitude faster in terms of transmutation speed. Arc 8, Chapter 65, Section 2.
- ↑ “Magic users use the mana inside them when they use magic. In contrast, spiritual arts users use the mana in the air around them. The process is fairly different, even when the effects are the same.” Re:Zero Light Novel Volume 3, Chapter 2, Section 4.
- ↑ In a situation of mental or physical urgency, Gates present in one’s body, which would normally go unused, could be opened, resulting in the person entering the same state as those able to execute the Flow Method. It was possible that those with superior abilities had been able to teach themselves how to use the Flow Method through an experience of the sort; but for now, further explanation will be omitted as it is beside the main point. Arc 7, Chapter 99, Section 1.
- ↑ Following the explanation given immediately before, the boy’s sprinting, which effortlessly transcended human limitations, was without a doubt brought about by the Flow Method. However, there was no caveat to the boy’s young age and sharp good looks; no record of the days spent learning such techniques was present, apparently. In the world, beings of the sort were seldom seen. ――Beings who were born unknowingly exercising the Flow Method, which was even said to be the pinnacle of martial arts, beings that left those shackled by the natural order in the dust. Arc 7, Chapter 98, Section 1.
- ↑ 38.0 38.1 Being that it was an organ that wasn't there to begin with, it was a defect that ultimately arose from having the Gate added afterwards. For better or for worse, it wasn’t stable. That precedent was well known by Beatrice. Beatrice's Everyone is Troublesome, I Suppose, Section 2.
- ↑ The emotions of humans dwelled within mana. For that reason, those who excelled at perceiving such mana could easily guess the emotions of others. The ability spirits had to read minds was said to be corollary to this. Re:Zero Light Novel Volume 43, Chapter 1, Section 4.
- ↑ “The minds and bodies of people and animals can be ruined if they’re affected by miasma. Regardless of whether or not it transforms animals into witchbeasts, it is a wafting miasma that would infect the people in the capital.” Re:Zero Prequel: The Oni Sisters of the Hidden Village, Chapter 4, Section 3.
- ↑ “Mana exists in the magic stones. There might be souls that attract mana so that spirits and lesser spirits can materialize by using it… It’s an idea you’d expect of Roswaal-sama.” Re:Zero Prequel: The Oni Sisters of the Hidden Village, Epilogue, Section 3.
- ↑ “Evil Sealing Stones, which have special properties compared to other magic stones, cannot be told apart from a normal lump of stones with a single glance. One need’s a special eye to tell them apart. Therefore, though it might not be enough, I also exerted my own efforts.” The Golden Lion and the Sword Saint: The Lion's Ferocity Chronicle 2.
- ↑ It was a dark, magical stone dyed deep black, and if you took a glimpse at it, your instincts would tell you that it was dangerous. Re:Zero Prequel: The Oni Sisters of the Hidden Village, Chapter 4, Section 3.
- ↑ “Inside there is a magical stone soaked in miasma… They’re called magical miasma stones. If you swallow it, you might die instantly, so you shouldn’t it eat them no matter what.” Re:Zero Prequel: The Oni Sisters of the Hidden Village, Chapter 4, Section 3.
- ↑ “Only the criminals themselves know who the real targets are. Still, if the miasma slips by for too long, people will go mad. Animals are no exceptions either. Plus, there is a theory which says that they become witchbeasts by taking in magical miasma stones. Surprisingly, they might actually be going for animals.” Re:Zero Prequel: The Oni Sisters of the Hidden Village, Chapter 4, Section 3.
- ↑ The purest form of magic stones were known as magic crystals, and they were encircling Arakiya’s entire body. Arc 8, Chapter 43, Section 2.
- ↑ "To amass such a large amount of rare and highly pure magic crystals is something extraordinary, in fact. Even if we were to overturn the Empire, we would never be able to build something like this, I suppose." Arc 8, Chapter 66, Section 1.
- ↑ "Magic Crystals can be artificially created by preparing a large amount of colorless Mana and condensing it. There is no denying that such a process was involved in the completion of the Crystal Palace." Arc 8, Chapter 66, Section 1.
- ↑ "…So, this means that they crafted the Magic Crystals they lacked, in fact. It’s no wonder that the number of Spirits willing to lend a helping hand to others is extremely low in the Empire, I suppose." Arc 8, Chapter 66, Section 1.
- ↑ Abel’s words and Beatrice’s reaction gave away the fact that many Spirits had had their lives sacrificed to build this castle. This was something Subaru, a Spiritual Arts User, certainly had some feelings about――. Arc 8, Chapter 66, Section 1.
- ↑ In short, a Magic Stone was a mass of condensed Mana, and their purest form was called a Magic Crystal. The fact was that Beatrice, after seeing the Crystal Palace, which had been made lavishly from it, looked extremely displeased and said what she had just said. Arc 8, Chapter 66, Section 1.
- ↑ Interfering with the magic crystals of the Crystal Palace, the latter of which had lost its administrator in Moguro Hagane, it was something designed to completely usurp the vast mana dwelling therein. Arc 8, Chapter 70, Section 4.
- ↑ The Crystal Palace, constructed with an unsparing amount of magic crystals, was an unfathomable condensation of Mana, and thus was tantamount to a tremendously enormous bomb. The reason why that had been enshrined in the Imperial Capital, the center of the Empire, was due to the existence of the Magic Core governing over it. Arc 8, Chapter 68, Section 3.
- ↑ "――Overloading the Magic Core, they intend to blow up the Crystal Palace along with the entire Imperial Capital!" Arc 8, Chapter 68, Section 3.
- ↑ He unleashed the fist-size crimson fireball created via chant with the speed of an arrow, melting and breaking through the intervening window— and scoring a direct hit on the silhouette seemingly trying to leap into the room through it, burning the target completely. Re:Zero Light Novel Volume 12, Chapter 4, Section 6.
- ↑ Before Subaru’s very eyes, the huge witchbeast was wrapped in a pillar of fire. Re:Zero Light Novel Volume 3, Chapter 5, Section 4.
- ↑ Within an instant, the forest, upon which a white fog was adrift, was overturned by a blazing red conflagration. The freezing via dense mist that the Divine Dragon had aimed for was suppressed by the power of a swelling flame that seemed to enshroud the entirety of the visible surroundings, instantly thawing the glaciation and even drying the moistened bodies in the blink of an eye. Re:Zero Light Novel Volume 42, Chapter 2, Section 6.
- ↑ With his final ultimatum ignored, the power flowing from Roswaal manifested in the form of a flaming sphere, so bright that its light dazzled the entire chamber. The mass of fire on top of Roswaal’s hand burned with intensity like a miniature sun, enough that Subaru, standing at a distance, felt his skin start to burn. Re:Zero Light Novel Volume 4, Chapter 4, Section 5.
- ↑ After all, enveloping Aldebaran was the minimum amount of water needed to cover his body completely―― as if it were a straitjacket of water. Moreover, he was dispossessed of both his freedom to breathe and freedom to move his body. Re:Zero Light Novel Volume 39, Chapter 4, Section 2.
- ↑ Rem deployed a thin layer of ice in front of her. The instant the fireball slammed into it, white steam erupted, and the dying hiss of the vaporizing ice clawed in her ears. She had managed to reduce the force of the flames, but she was unable to nullify it completely. Re:Zero Light Novel Volume 5, Chapter 5, Section 1.
- ↑ A projectile of ice as thick as five Subarus tied together slammed into the tower. The sturdy wall immediately gave way as the icicle's tip impaled the upper structure of the tower. Re:Zero Light Novel Volume 17, Chapter 2, Section 1.
- ↑ Each and every one of the icy pillars rivaled the central pillar of a mansion, with there being four in total. Launched at super-high speed, the pillars raced through the sky and scored a direct hit on the White Whale’s torso; with a slight delay, the witchbeast’s scream and spurting blood poured down to earth. Re:Zero Light Novel Volume 7, Chapter 3, Section 3.
- ↑ Kicking her body forward, Al aggressively unleashed another spell, using the tip of his liuyedao to direct magic inside Capella and detonate the defenseless woman’s body. There was a comical whump that almost sounded like a fart as Capella was blown to pieces. Her limbs were blown away as pink organs and bright- red blood splattered the walls of the basement. Re:Zero Light Novel Volume 20, Chapter 2, Section 1.
- ↑ Petelgeuse spread his arms wide, intoning a spell as he took a counterattack posture. The next moment, the earth burst upward, and stone walls, a mix of boulder fragments and black soil, enclosed the madman on four sides. Re:Zero Light Novel Volume 9, Chapter 4, Section 1.
- ↑ The explosively welling magical energy sank into the earth, creating a flow of sediment with enough intensity to pulverize the trees. This incredible force danced toward Garfiel, who was standing atop the ground, smashing him all at once with the violence of its sheer mass. Re:Zero Light Novel Volume 13, Chapter 5, Section 3.
- ↑ She conducted the wind blade incantation and used the resulting attack to slice through the trees—and cut the witchbeast charging at them into discs to nourish the plants on the forest floor. Re:Zero Light Novel Volume 3, Chapter 5, Section 1.
- ↑ Mana welled up in Ram as she chanted, causing a powerful gust of wind to erupt at their estimated landing point. As they fell straight down, Subaru’s body hit the ascending air current and rode on the pressure underneath them; he managed to get them upright again as their fall slowed further. Re:Zero Light Novel Volume 3, Chapter 4, Section 5.
- ↑ The incantation caused concentrated winds to churn the ground, blanketing Roswaal’s vision in rising clods of soil. Re:Zero Light Novel Volume 15, Chapter 6, Section 3.
- ↑ The chant rewrote the world around it, weaving wind into a blade that bore down upon its intended prey before it exploded. The invisible blade of wind raged up and down, left and right as it pleased, grandly slicing through forest, earth, and flesh. Re:Zero Light Novel Volume 13, Chapter 5, Section 4.
- ↑ There congregates, apt to crush a region of the forest, an overwhelming windstorm—with Garfiel in its center as it ravages both him and woodland alike. Arc 4, Chapter 108.
- ↑ The wind raged, like an intense force of a gigantic dragon, and the building was ravaged by a sharpness that not even a treasured sword could compare to, making it lose all of its original form. The carpet tore into pieces. The pottery disintegrated without a sound. The windows crushed like grains of sand. The paintings went from pieces of paper to fine powder. The windstorm destroyed people’s eardrums, tearing through their bodies by breaking into the holes in them. Once that destruction blew through, all that had been left was a scene without any bloodstains. Re:Zero Prequel: The Oni Sisters of the Hidden Village, Chapter 5, Section 6.
- ↑ The next moment, Subaru’s vision was shrouded in darkness. Instantly, the scene before his eyes was buried in pitch-black. Startled, he abruptly raised his voice, but the sound never reached his ears. The profound darkness had cut off his vision from everything outside him. Re:Zero Light Novel Volume 3, Chapter 2, Section 4.
- ↑ Depriving people of their vision to diminish their fighting strength―― was not the case here. The soldiers with these shrouded heads were not being robbed of their sight, but rather, of their fighting strength itself. Arc 7, Chapter 105, Section 2.
- ↑ Right after her incantation finished, a massive black hole appeared. An endless, bottomless, black hole evoking a primordial fear attempted to swallow Reid whole and send him to the great beyond. Re:Zero Light Novel Volume 25, Chapter 1, Section 3.
- ↑ The living darkness swallowed up the cage of ice and snow, compressing it along with the Great Rabbit horde within. Finally, they vanished without a sound. This, the creation of an isolated space, was the effect of Al Shamak the greatest of the Shamak line of spells. Enveloped by the magic, the Great Rabbit horde had been blasted into what was essentially another dimension. Re:Zero Light Novel Volume 15, Chapter 8, Section 5.
- ↑ The Magic Crystal Cannon’s fire of obliteration, sent into another space by Al Shamak, was returned to this space by a subsequent Al Shamak, shooting down the starlight that was supposed to mark the demise of the Fortified City. Arc 8, Chapter 71, Section 9.
- ↑ Yin magic, Minya, arrows of stagnant time—having demonstrated their true worth, victory and defeat had been completely decided. Beatrice showed no futile compassion, such as asking to hear her final words. She thrust an arm toward Elsa, clenching her open hand. That was all it took for countless arrows in the sky to converge upon Elsa, impaling the entirety of her body. Repeated destructive impacts caused a cloud of dust to rise from the street. When the dust settled, what remained was a remorseless and cruel yet somehow overwhelmingly beautiful work of lethal art. Crystal arrows were thrust through her entire body, half of it shattered like inorganic matter. Re:Zero Light Novel Volume 12, Chapter 3, Section 6.
- ↑ The reason being, the deep purple crystals she had cleared away had turned into flying shrapnel in their shattered state, spreading out and chasing down the fast-flying Sphinx. Arc 8, Chapter 19, Section 1.
- ↑ However, the crystalline arrow shape that represented Minya was not what was important. It was about the effect of freezing and shattering the time of the person it struck. Indeed, even if it did not have the shape of an arrow, as long as it pierced the opponent, the form and size did not matter. Arc 8, Chapter 19, Section 19.
- ↑ Yet, the sheer number of arrows loading the sky was incomparable to what he had seen before. Targeting took but an instant. Locking on to the heads of every witchbeast that made up the Great Rabbit horde, the purple arrows shot forward at the same time. Each missile found a skull, slaying every one of the witchbeasts. Their dead bodies turned into purple crystals, like the arrows that had felled them, then shattered, unable to withstand the raging snow. The world of white was filled with glimmering purple fragments. Re:Zero Light Novel Volume 15, Chapter 8, Section 1.
- ↑ A purple disc blocked out the sky and began hurtling toward Batenkaitos. It was a light of destruction with the mass to back it up. The tremendous force of its impact flipped up the stone pavement, creating an enormous dust cloud that filled the whole plaza and made Beatrice’s dress flutter wildly. Re:Zero Light Novel Volume 20, Chapter 1, Section 4.
- ↑ At Roswaal’s answer, Sphinx raised a hand and pointed at one of the agonized soldiers. A beam of light had glanced toward, then through, the soldier’s neck in the blink of an eye. His head evaporated. She had done it again and again until six soldiers lay on the ground. Re:Zero Ex Light Novel Volume 2, Fourth Stanza, Section 5.
- ↑ All five of Echidna’s fingers gleamed and five rays of light erupted from them, searing the scorpion’s pincers, face, shell. Unable to withstand the force, the scorpion withdrew immediately. Re:Zero Light Novel Volume 23, Chapter 6, Section 4.
- ↑ In response to the looming threat, Sphinx opened both of her empty hands, and, just as she had done when attacking Jamal earlier, she emitted white rays of heat, but this time from the fingers of her left and right hands. However, this time, it was not a momentary beam of heat like that of a ray gun, but a sword of light that continued to be projected. Arc 8, Chapter 59, Section 2.
- ↑ The beam that had previously come only from the tip of her finger now burst from her entire palm. It was as if her hand was reaching out to annihilate everything in its path. The destructive ray speared diagonally across the great hall, and death drew nearer by the instant. Even Roswaal would be hard-pressed to dodge it; she found herself hardly able to speak with astonishment. Re:Zero Ex Light Novel Volume 2, Sixth Stanza, Section 6.
- ↑ “It links the Gates of all human beings within range, enabling thoughts to pass between them.” Re:Zero Light Novel Volume 8, Chapter 3, Section 6.
- ↑ “As a matter of fact, there is no question it is a difficult spell to employ. After all, it is a ritual to thin the boundaries between you and the minds of others. If deepened to excess, not only thoughts but also the five senses can be commingled.” Re:Zero Light Novel Volume 8, Chapter 3, Section 6.
- ↑ The temperature gradient between Fire and Water Magic was used to create thunderclouds, and by applying Wind and Earth Magic, he caused the Dragon Sword to be imbued with an electric charge. The Arrow of Indra followed the same principle as a lightning rod, but without redirecting the energy to the ground. Re:Zero Light Novel Volume 40, Chapter 1, Section 4.
- ↑ To escape the sheer speed of lightning, not even Reinhard was capable of such. The bolts of lightning, reminiscent of the speed of Cecilus’s swordsmanship that transcended human limits, a sight that had become all too familiar to him in the Empire, struck Reinhard chaotically. Re:Zero Light Novel Volume 40, Chapter 1, Section 4.
- ↑ In the sense of destroying the equilibrium of the world, that technique was already on a level which rivaled the numerous forbidden arts whose existences had been erased by Od Lagna. The reason why this had never had its existence extinguished as a forbidden art, was none other than because there had been nobody capable of using it to make it worth prohibiting. Re:Zero Light Novel Volume 42, Chapter 4, Section 6.
- ↑ Warping, instantaneous travel, teleport. ――All these expressions referred to the same thing; that which fell in the realm of Yin Magic, in the sense that it could manipulate space, was a hyper spell that necessitated all sorts of conditions be met. Re:Zero Light Novel Volume 42, Chapter 2, Section 3.
- ↑ Ultimately, the phenomenon that had sent Aldebaran and Yae into the sky was at an impossible level of difficulty even if technically achievable through magic, which meant that some other form of foul play was involved. Re:Zero Light Novel Volume 42, Chapter 2, Section 3.
- ↑ If one carefully constructed the technique and erected a field wherein it was etched, it would be possible to create a limited warp connected by two doors through that field. Or probably even without advanced preparations, if a caster could simply visualize the coordinates of a destination, and constructed the technique with the preparedness to fully expend their own Gate, they might have been able to issue just a one-way ticket. Re:Zero Light Novel Volume 42, Chapter 2, Section 3..
- ↑ Shining down from beyond the sky, stars were perpetually burning masses of mana, and by utilizing the property of attraction between mana of the same type, the unbelievable marvel of casting one to the earth could be realized. But naturally, to bring a star down upon a precise location required both delicate control over magic and an unfathomable quantity of mana. In exchange for the difficulty of realizing such a technique, the mana contained in the star’s light could rival that held by a great spirit, and was even extolled to have once felled a weyr of Dragons. Re:Zero Light Novel Volume 40, Chapter 1, Section 2.
- ↑ In terms of destructive power, it easily surpassed even the ruinous breath of Dragons, beings bestowed with the right to tear the world asunder with just their roar, and so it could therefore be proclaimed to be the pinnacle of destructive acts. Re:Zero Light Novel Volume 40, Chapter 1, Section 2.
- ↑ This was an anti-Witch trump card that Al had acquired. Arc 8, Chapter 65, Section 5.
- ↑ In response to the incantation spun by Al’s lips from within his iron helmet, the world transformed. Basking in the unthinkable attack, the Witch, who had become unable to think for an instant, had her whole body entangled, preventing her from moving her body, and halting the activity of the Gate within her body. Re:Zero Light Novel Volume 38, Chapter 2, Section 5.
- ↑ Constrained by a power that ought to be called by the contradictory expression of black light, her form resembled the chrysalis of an insect. As a matter of fact, the degree to which her movements had hardened was also to that extent. ――Just as had been done unto the most terrifying Witch in the world. Arc 8, Chapter 65, Section 5.
- ↑ “Put briefly, it allowed the user to control corpses according to their will.” Re:Zero Ex Light Novel Volume 1, Felix Argyle's Curse, Section 8.
- ↑ “And even the most basic manifestation was all but impossible to achieve without a caster who had a natural affinity for the spell. It was a very rare affinity – no one had been known to possess it in over a hundred years.” Re:Zero Ex Light Novel Volume 1, Felix Argyle's Curse, Section 8.
- ↑ “Though the flesh is revived, the soul does not reside within it. Reconstructing the Sacrament of the Immortal King is indeed difficult.” Re:Zero Ex Light Novel Volume 2, Fifth Stanza, Section 3.
- ↑ “It's not just that the spell book is incomplete. It was never a question of the power as a spell caster. Using an awful spell like that – forcing a body that's stopped to start again – of course it was going to break down right away.” Re:Zero Ex Light Novel Volume 1, Felix Argyle's Curse, Section 11.
- ↑ “The Witch who invented the spell had been said to be able to bring the dead back, looking exactly as they had in life…” Re:Zero Ex Light Novel Volume 1, Felix Argyle's Curse, Section 8.
- ↑ “It was one of the exceptional magics, supposedly created by a witch who held the world in thrall, before the knowledge was lost.” Re:Zero Ex Light Novel Volume 1, Felix Argyle's Curse, Section 8.
- ↑ “Look at this! This is the text describing the Sacrament of the Immortal King, that has been passed down in our house.” Re:Zero Ex Light Novel Volume 1, Felix Argyle's Curse, Section 11.
- ↑ "Magic that uses dreams as intermediary to meddle with the opponent’s mind, in fact. On top of that, it is a kind of forbidden art, and its users were almost entirely eradicated, I suppose." Arc 10, Chapter 4, Section 1.
- ↑ "That kinda thing’s definitely still out there somewhere! Interfering with the mind? Maybe the users just planted some convenient memory in people’s minds that they had been eradicated and let themselves slip away." Arc 10, Chapter 4, Section 1.
- ↑ "T-that’s way too pessimistic, in fact…! Ahem, anyhow, I suppose. The approach of Mother, whom you and Emilia encountered in the Tomb, may seem to apply the principles of dream arts, but strictly speaking, it is something entirely different, so invading the consciousnesses of living beings, like invading dreams should be undoable, in fact." Arc 10, Chapter 4, Section 1.
- ↑ Magical Shroud Excitation was a way of forcibly manifesting the Flow Method, utilizing the Mana circulating within the body to strengthen it, and inducing an effect similar to that of Yang Magic, despite the different approach. Arc 7, Chapter 99, Section 1.
- ↑ The effects of the Magical Shroud Excitation that had been triggered were, in Yang Magic terms: enhancement of the five senses, a significant increase in physical capacity, a surge in physical toughness, as well as a bewildering increase in cognitive ability, in addition to reaction time, in what could only be seen as an irregular state of multiple enhancements. Arc 7, Chapter 99, Section 1.
- ↑ The scant words Beatrice muttered were a term referring to a fleeting technique that had existed hundreds of years prior, yet had never been considered valuable, far from being put to practical use. Even the Witch Echidna, who systematized all of magic, had given it a provisional name, leaving it as an ancient “fantasy”. A technique that could not be reproduced by an individual. Arc 7, Chapter 99, Section 1.
- ↑ And even Beatrice was completely oblivious to the fact that Natsuki Subaru was the only one in the whole world who could turn this theory into practice with his Authority of the Little King. Arc 7, Chapter 99, Section 1.
- ↑ "To begin with, that Gluttony’s body was secured with Yin Magic. Betty and Julius had worked together to do it, so it was rigid and solid security, impervious to any meager, measly attempts on it, in fact… That Betty couldn’t develop that advanced form by herself is mortifying, I suppose." Arc 10, Chapter 6, Section 1.
- ↑ "A thing impossible to meddle with, of course for the captive person, but also from those on the outside, in fact. Unfastening it would require suitable mastery of Yin Magic, I suppose." Arc 10, Chapter 6, Section 1.
- ↑ A moment after the valiant heroine’s voice, the White Whale’s head was shallowly cut by a single, horizontal slice. The invisible slash, grazing the solid, stone-like hide, drew blood from the White Whale’s enormous frame once more. Re:Zero Light Novel Volume 7, Chapter 3, Section 4.
- ↑ “It is a mixture of wind-type magic and a hallucinatory drug.” Re:Zero Light Novel Volume 8, Chapter 3, Section 5.
- ↑ “Your anger and hatred toward that girl and myself will cause it to grow. Even merely thinking or wishing evil upon us will feed it. ――And in the end, it might even pierce right through you.” Re:Zero Prequel: Bonds of Ice, Chapter 2, Section 9.
- ↑ ――Emilia’s Ice Brand Arts, her ice weapons, had gained a new function that froze her opponents upon impact, robbing them of control over both their bodies and weapons altogether. Activating it came at a modestly higher cost of mana than creating ordinary weapons, but it was enough leeway for Emilia as long as she did not fight too much. To stop an opponent without taking their life. ――Such was Emilia’s wish, the Witch of Frost’s fighting style. Re:Zero Light Novel Volume 41, Chapter 2, Section 3.
- ↑ If Emilia’s ordinary magical power was to be taken as the value of 1, then the potency of this magic which utilized the overflown power and materialized, would be close to 10 or even possibly 100. Arc 6, Chapter 88, Section 2.
- ↑ "It was enough to end a real battle with a single blow..." Arc 6 Chapter 88, Section 2.
- ↑ A white vacuum instantly swept conquest over the world, accompanied with such strength that even the impossible to halt flow of time would be stopped, impossible of being described as meagerly as the atmosphere being frozen. Arc 6, Chapter 89, Section 2.
- ↑ That was what Subaru had named it, and had spoken of the empty theory that its materialization may be arduous. Arc 6, Chapter 88, Section 2.
- ↑ Amidst the devoured Memories, a throbbing sensation arose as he delightfully recollected a sword clad in a rainbow aurora―― fundamentally, the special technique deployed by the Finest of Knights was of the same ilk as the rainbow butterflies. That which the Finest made manifest through his talents and the powers of his contracted Spirits, the Lord of Phantasmal Rainbows conjured in exchange for the dried up dregs of life, such was the entirety of the matter. Re:Zero Light Novel Volume 42, Chapter 2, Section 11.
- ↑ “Myon myon… do not worry. I can certainly read them. Phrasing it in your style, I suppose it feels like firmly downloading memories.” Re:IF Kasaneru, Chapter 1, Section 3.
- ↑ A Dragon’s breath was not magic nor anything of the sort; it was simply an exceedingly powerful torrent of mana, pure, primitive to its objective, destroying anything that dared to make contact. Re:Zero Light Novel Volume 40, Chapter 1, Section 5.
- ↑ In the past, the Vollachian Empire had also focused its attention on the power of magic, and it’d had an Emperor who had intended to amass the most powerful army. The Thirty-First Emperor of the Vollachian Empire, Murkia Vollachia, had planned to utilize Yang Magic to turn a powerful army into an even more powerful one. Taking into account the aforementioned shortcomings, he had enlisted Yang Magic users into his powerful army, training them so that their enhanced state would become their natural state, and then went into actual battle. However, the results that had unfolded had been disastrous; the powerful army became dependent on the enhancements, being defeated before any Yang Magic could be applied. The skills of the casters, so essential they were, varied; and being unable to function in a cohesive fashion, the army had been sent packing by forces superior in numbers. Even the Emperor’s life had been in jeopardy. Arc 7, Chapter 98, Section 2.
- ↑ Because of this precedent, the value of Yang Magic, and thus the value of magic as a whole, was reduced in Vollachia, leading to the spread of the idea that mastery of martial arts was the mark of a strong soldier. Arc 7, Chapter 98, Section 2.
- ↑ The flash of crimson ran diagonally, and without any resistance, it burned away Sphinx’s ten white lights that had immediately tried to intercept Abel. It was illogical for light to burst into flames, but the supernatural power that could make one believe it was natural was contained within the Yang Sword’s radiance, and therefore the following conclusion was inevitable. Arc 8, Chapter 59, Section 11.
- ↑ Even Beatrice, who had lived such a long time, had never witnessed a scene where more than ten Yin Magic users were all assembled in one place, so she knew it would be an impossible proposition. Arc 8, Chapter 19, Section 1.
- ↑ "…Subaru, while you were separated from Betty, you had no method of expelling mana, I suppose. So it’s natural that mana would pile up, but this amount is…" Arc 7, Chapter 97, Section 3.
- ↑ Certainly, she had muttered something of this sort. ——That it was “too much”. Arc 7, Chapter 97, Section 3.
- ↑ One possibility was that the connection between everyone in the Pleiades Battalion and Subaru had brought about a positive effect, another was that infantilization had led to some strange occurrence in Subaru’s Gate. But, in the latter case, it was not likely that Beatrice would be able to understand it, so he felt that the former option was more likely. Arc 8, Chapter 62, Section 1.
- ↑ 133.0 133.1 April 5, 2026 Talk Show.
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